新世纪中国爱情电影文化取向研究
发布时间：2019-07-02 19:25
【摘要】：爱情电影所营造的浪漫幻想,承载了人类对幸福未来的永恒向往。当人们在电影院中见证男女主人公或坎坷或甜蜜,或团圆或分离的故事时,主人公的行动早已在潜移默化之中唤起了大多数观众对于情感焦虑的共鸣。随着电影中戏剧性事件的解决,观众的情感得到了宣泄。正因如此,爱情电影往往有着广阔的消费群体,除此之外,爱情电影投资小、周期短、包容力强等特点也使得这一类型在电影市场中得到广泛青睐。爱情片出现的问题反映出中国电影目前面临的最大考验,即社会价值观的混乱导致群体对社会文化认同的偏差,这种偏差反过来进步一地影响了影视作品的艺术性和社会功效。新世纪到来,中国的社会形态、社会心理已经发生了巨大的变化,尽管社会思潮和文化心理日渐丰富,但随之而来的是价值体系的多样化和传统价值观的瓦解,东西方的文化差异和西方带来的文化冲击已经悄然影响着当下大众群体的心理。因此,解决目前爱情类型电影和类型电影的问题就不仅仅是电影文本的纠正和价值观的批判,更重要的是深层影响因素的探寻。
[Abstract]:The romantic fantasy created by love film carries the eternal yearning for a happy future. When people witness the story of the hero and heroine in the cinema, such as ups and downs or sweetness, or reunion or separation, the protagonist's actions have already aroused the resonance of emotional anxiety in the majority of the audience. With the solution of the dramatic events in the film, the feelings of the audience were catharsed. Because of this, love films often have a broad consumer group. In addition, the characteristics of love films, such as small investment, short cycle, strong tolerance and so on, also make this type widely favored in the film market. The problems of love films reflect the biggest test that Chinese films are facing at present, that is, the confusion of social values leads to the deviation of social and cultural identity of groups, which in turn affects the artistry and social efficacy of film and television works. With the advent of the new century, great changes have taken place in the social form and social psychology of China. Although the social trend of thought and cultural psychology are becoming more and more rich, the diversification of the value system and the disintegration of traditional values have been followed. The cultural differences between the East and the West and the cultural impact brought about by the West have quietly affected the psychology of the mass groups at present. Therefore, solving the problem of love type film and type film is not only the correction of film text and the criticism of values, but also the exploration of deep influencing factors.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2509167
[Abstract]:The romantic fantasy created by love film carries the eternal yearning for a happy future. When people witness the story of the hero and heroine in the cinema, such as ups and downs or sweetness, or reunion or separation, the protagonist's actions have already aroused the resonance of emotional anxiety in the majority of the audience. With the solution of the dramatic events in the film, the feelings of the audience were catharsed. Because of this, love films often have a broad consumer group. In addition, the characteristics of love films, such as small investment, short cycle, strong tolerance and so on, also make this type widely favored in the film market. The problems of love films reflect the biggest test that Chinese films are facing at present, that is, the confusion of social values leads to the deviation of social and cultural identity of groups, which in turn affects the artistry and social efficacy of film and television works. With the advent of the new century, great changes have taken place in the social form and social psychology of China. Although the social trend of thought and cultural psychology are becoming more and more rich, the diversification of the value system and the disintegration of traditional values have been followed. The cultural differences between the East and the West and the cultural impact brought about by the West have quietly affected the psychology of the mass groups at present. Therefore, solving the problem of love type film and type film is not only the correction of film text and the criticism of values, but also the exploration of deep influencing factors.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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