新世纪以来中国武侠片的转型
发布时间：2019-07-06 13:36
【摘要】：武侠电影是中国电影特有的一种类型电影,是中国尚未齐全的类型片门类中最具影响力的片种,在整个中国电影史的进程中占据了不可替代的位置,是最具民族文化特色的片种,是全世界观众都乐于接受的电影类型。中国加入世界贸易组织后,影视产业承受了比过去更大的压力,电影的商业价值被提到关系电影业存亡的地位。新世纪武侠电影在创作上既取得了突破和进步,在走向国际化的道路上,武侠电影的大制作也存在的一些致命缺陷。 本论文主要分四个部分内容,第一部分,在全文起抛砖引玉的作用,从回顾武侠电影的历史演进入手,分析武侠电影的文化资源优势,综合类型电影理论,总结武侠电影在电影史上的地位和成绩。第二部分,第一节,分析新世纪武侠电影转型的时代背景,指出21世纪初出现武侠大制作的潮流既是机缘巧合,又有一定的必然性。第二节阐述这一时期武侠电影在主题、内涵、类型特征、武打风格等方面的拓展,呈现出的新特色。第三部分,选取中国大陆、香港、台湾三个地区的文本进行分析第四部分,对新世纪武侠电影的“文本缺陷”进行分析,对该时期的武侠作品大多在商业上取得了傲人成绩,而非它的真正价值。点明武侠电影一面是在“大片模式”麻醉下的虚假繁荣,另一面母题缺乏空洞面临死亡的担忧。
[Abstract]:Martial arts film is a unique type of Chinese film, and it is the most influential type of film in China. It occupies an irreplaceable position in the whole process of Chinese film history, is the most national cultural characteristics of the film, and is a film type that audiences all over the world are willing to accept. After China's accession to the World Trade Organization (WTO), the film and television industry has been under greater pressure than in the past, and the commercial value of the film has been mentioned to be related to the survival of the film industry. In the new century, martial arts films have not only made breakthroughs and progress in their creation, but also have some fatal defects in the production of martial arts films on the road of internationalization. This paper is mainly divided into four parts. The first part plays an important role in the full text. Starting with reviewing the historical evolution of martial arts films, this paper analyzes the advantages of cultural resources of martial arts films, synthesizes the theory of type films, and summarizes the position and achievements of martial arts films in the history of film. The second part, the first section, analyzes the background of the transformation of martial arts films in the new century, and points out that the trend of martial arts production at the beginning of the 21st century is not only an opportunity coincidence, but also a certain necessity. The second section expounds the new characteristics of martial arts films in this period in terms of theme, connotation, type characteristics, martial arts style and so on. In the third part, the text of mainland China, Hong Kong and Taiwan is analyzed in the fourth part, and the "text defects" of martial arts films in the new century are analyzed. Most of the martial arts works in this period have made outstanding achievements in business, rather than its real value. It is pointed out that martial arts movies are false prosperity under the anesthesia of blockbuster mode on the one hand, and empty fear of death on the other.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2511053
[Abstract]:Martial arts film is a unique type of Chinese film, and it is the most influential type of film in China. It occupies an irreplaceable position in the whole process of Chinese film history, is the most national cultural characteristics of the film, and is a film type that audiences all over the world are willing to accept. After China's accession to the World Trade Organization (WTO), the film and television industry has been under greater pressure than in the past, and the commercial value of the film has been mentioned to be related to the survival of the film industry. In the new century, martial arts films have not only made breakthroughs and progress in their creation, but also have some fatal defects in the production of martial arts films on the road of internationalization. This paper is mainly divided into four parts. The first part plays an important role in the full text. Starting with reviewing the historical evolution of martial arts films, this paper analyzes the advantages of cultural resources of martial arts films, synthesizes the theory of type films, and summarizes the position and achievements of martial arts films in the history of film. The second part, the first section, analyzes the background of the transformation of martial arts films in the new century, and points out that the trend of martial arts production at the beginning of the 21st century is not only an opportunity coincidence, but also a certain necessity. The second section expounds the new characteristics of martial arts films in this period in terms of theme, connotation, type characteristics, martial arts style and so on. In the third part, the text of mainland China, Hong Kong and Taiwan is analyzed in the fourth part, and the "text defects" of martial arts films in the new century are analyzed. Most of the martial arts works in this period have made outstanding achievements in business, rather than its real value. It is pointed out that martial arts movies are false prosperity under the anesthesia of blockbuster mode on the one hand, and empty fear of death on the other.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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