电影记忆叙事策略与表征形态研究——以新世纪日本战争片为考察中心
发布时间：2019-08-01 14:55
【摘要】：正新世纪以来,面对经济消长与右翼势力回潮,日本社会发展陷入低迷阶段,政府亟需通过大众媒介创造新的话语舆论,恢复丧失已久的民族文化自尊心,重塑日本国家认同,消解处于转型期民众的心灵困境、集体焦虑和民族危机意识。这一时期出现了一系列新类型元素的战争片,在编剧技巧和电影镜头语言方面反复强化这一类型片特征和影像符号,通过对意识形态和大众趣味的艺术平衡,影响并重塑民众的公共记忆与民族认同,在日本现代历
[Abstract]:Since the beginning of the new century, in the face of the return of economic growth and decline and right-wing forces, the social development of Japan has fallen into a depressed stage. The government urgently needs to create new discourse public opinion through the mass media, restore the long-lost national cultural self-esteem, reshape the Japanese national identity, resolve the spiritual predicament, collective anxiety and national crisis consciousness of the people in the transitional period. During this period, a series of new types of war films appeared, which repeatedly strengthened the characteristics and image symbols of this type of film in terms of screenwriting skills and film lens language. Through the artistic balance between ideology and public interest, the public memory and national identity of the people were influenced and reshaped in the Japanese modern calendar.
【作者单位】： 南京大学;江苏第二师范学院;
[Abstract]:Since the beginning of the new century, in the face of the return of economic growth and decline and right-wing forces, the social development of Japan has fallen into a depressed stage. The government urgently needs to create new discourse public opinion through the mass media, restore the long-lost national cultural self-esteem, reshape the Japanese national identity, resolve the spiritual predicament, collective anxiety and national crisis consciousness of the people in the transitional period. During this period, a series of new types of war films appeared, which repeatedly strengthened the characteristics and image symbols of this type of film in terms of screenwriting skills and film lens language. Through the artistic balance between ideology and public interest, the public memory and national identity of the people were influenced and reshaped in the Japanese modern calendar.
【作者单位】： 南京大学;江苏第二师范学院;
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