《推手》的中西文化主题阐释
发布时间：2019-08-04 13:22
【摘要】：《推手》是导演李安在1991年执导的第一部电影,后来也被列入"家庭三部曲"(《推手》《喜宴》和《饮食男女》)之中。《推手》中,"家庭空间"构成核心场景,"父子关系"在叙事发展中演变升级,导演透过一场日常的家庭矛盾,向观众展示了东西方文化差异引发的碰撞与融合。作为李安的第一部电影作品,《推手》表现出极强的空间感和分寸感,以一种宽容的心态去重新审视东方传统文化,并对全球语境下的家庭单元和成员关系做出反思。
[Abstract]:"push hand" is the first film directed by director Ann Lee in 1991, and was later included in the "Family Trilogy" ("push hand" and "Diet Men and Women"). In "push hand", "Family Space" constitutes the core scene, "Father-son relationship" evolves and escalates in the narrative development, and the director shows the collision and fusion caused by the cultural differences between the East and the West through a daily family contradiction. As the first film work of Li'an, push hand shows a strong sense of space and dimension, reexamines the oriental traditional culture with a tolerant attitude, and reflects on the family unit and membership in the global context.
【作者单位】： 洛阳理工学院外国语学院;
【分类号】：J905
本文编号：2522962
[Abstract]:"push hand" is the first film directed by director Ann Lee in 1991, and was later included in the "Family Trilogy" ("push hand" and "Diet Men and Women"). In "push hand", "Family Space" constitutes the core scene, "Father-son relationship" evolves and escalates in the narrative development, and the director shows the collision and fusion caused by the cultural differences between the East and the West through a daily family contradiction. As the first film work of Li'an, push hand shows a strong sense of space and dimension, reexamines the oriental traditional culture with a tolerant attitude, and reflects on the family unit and membership in the global context.
【作者单位】： 洛阳理工学院外国语学院;
【分类号】：J905
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