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浅析《驴得水》中的女性形象

发布时间:2019-08-07 14:52
【摘要】:从剧场舞台到影厅银幕,《驴得水》成功地实现了从话剧到电影之间的艺术形式转换,将它的讽刺与批判传达给更多的观众。《驴得水》以四位乡村教育工作者以驴代人吃空饷的事情作为契机,引发了一场闹剧,折射出那一历史时段的社会问题。张一曼作为影片中最核心的女性角色,不仅呈现了从身体到意识上的女性主体构建过程,也对男性权威进行了反抗,她的命运与悲剧揭示了女性长久以来受到的不公正对待,这种情形不仅存在于历史中,而且是现代社会依旧未能彻底解决的问题。
[Abstract]:From the theater stage to the cinema screen, Donkey Water successfully realizes the transformation of artistic form from drama to film, and conveys its satire and criticism to more viewers. "Donkey Water" takes four rural educators as an opportunity to take the empty pay of donkey people as an opportunity to trigger a farce that reflects the social problems in that historical period. Zhang Yiman, as the core female character in the film, not only presents the process of constructing the female subject from the body to the consciousness, but also rebelled against the male authority. Her fate and tragedy reveal the injustice that women have been treated for a long time. This situation not only exists in history, but also is still a problem that can not be completely solved in modern society.
【作者单位】: 海南热带海洋学院;
【分类号】:J905

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1 孙海英;;人性嬗变·善的坚持·传统的继承——话剧《驴得水》的剧情解读[J];集宁师范学院学报;2013年02期

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