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张杨的寻找之路——《冈仁波齐》《皮绳上的魂》初探

发布时间:2019-08-19 11:23
【摘要】:正2017年,张杨的两部作品《冈仁波齐》《皮绳上的魂》,先后在6-8月上映。《冈仁波齐》更是成为话题性电影,票房过亿。两部作品均在西藏拍摄,更有意思的是,两部作品以分组的方式,先后拍摄(2013年11月-2014年11月)。在同一年的时间里,诞生了两部风格迥异,甚至是两极化的作品。本文试图从两部作品的视听、叙事以及主题内核来寻找一个走在自己电影朝圣之路上的张杨。一、视听《冈仁波齐》用客观纪实的手法,在视觉上强
[Abstract]:In 2017, Zhang Yang's two works, "the Soul on the Leather rope," were released in June and August. "Gang Rinpoqi" has become a thematic film, with a box office of more than 100 million. Both works were shot in Tibet, and more interestingly, the two works were shot in groups (November 2013-November 2014). In the same year, two works with very different styles and even polarization were born. This paper attempts to find Zhang Yang on the road of pilgrimage to his own films from the audio-visual, narrative and theme core of the two works. First, the audio-visual "Gang Rinpoqi" uses the objective documentary technique, which is visually strong.
【作者单位】: 厦门大学嘉庚学院人文与传播学院;
【分类号】:J905


本文编号:2528221

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