《西游记》衍生动画电影叙事研究

发布时间：2018-02-21 06:08

本文关键词： 《西游记》衍生动画电影叙事改编文化传承　出处：《郑州大学》2017年硕士论文　论文类型：学位论文

【摘要】：小说《西游记》是我国的历史文化瑰宝,也是中国四大名著中衍生作品最多的文学小说,衍生的电视剧、电影、动画、动漫等各种艺术形式的作品层出不穷。从电影技术传入中国开始,作为神魔小说的代表,《西游记》在戏剧冲突和叙事结构上较符合影像叙事,其在荧幕上的视觉冲击力更能满足观众对神话故事和猎奇的期望,所以中国的创作者对《西游记》的改编没有停止,而动画电影也把《西游记》这部经典文学作为取之不尽的创意源头。本文内容分为四个部分,第一,从动画电影的定义出发,区别衍生与改编的定义,从而对衍生动画电影做一个比较清晰的界定;第二,每一个特定的历史时期,《西游记》的衍生动画电影都有不同的主题类型,本章旨在探究各个时期不同的主题折射着这一时期怎样的政治背景、社会文化和审美趣味以及以此种形态为主的《西游记》的动画电影又担负着怎样的意识形态功能?第三,作为每一部作品都是独立而真实的个体,以叙事学角度出发,通过不同时期衍生电影文本的对比细度,从个体人物、具体情节分别对《西游记》衍生动画电影做系统的分析,解读其不同形式和样态的衍生动画电影《西游记》依从的思维逻辑和文本规律;第四,通过仔细的研究和思考,总结出《西游记》衍生动画电影在新时代下发展的困境和焦虑。从“如何重述《西游记》故事“、“为何重述《西游记》故事”以及“怎样讲述《西游记》”三个问题为思索起点,提炼出“故事性“、“文化主体性”、“审美艺术性”三个走出新时代下《西游记》故事重述困境的路径和策略。本文以《西游记》衍生动画电影为角度从文学文本、电影文本、理论分析等多方面阐释整个20世纪《西游记》在中国电影荧幕上变迁的历史。当然,其意义不仅仅局限于在小说和电影两种艺术表现形式之间寻找意义,也不仅仅从不同历史时期不同的动画文本样式的比较中发现症候,更重要的在于《西游记》文本本身在20世纪中国尤其是后半叶就具有着极强的意识形态色彩。因此,《西游记》故事的每一次以不同艺术形式启动,我们都要探究为什么在这一时期以这种方式启动?因此,一部《西游记》动画电影的变迁史某种程度上折射着20世纪中国所走过的道路,而《西游记》在新历史条件下衍生和改编的困境和焦虑在某种程度上却也同构着整个中国社会、中国文化的困境。
[Abstract]:The novel Journey to the West is the historical and cultural treasure of our country. It is also the literary novel with the most derivative works, TV dramas, movies and animations of the four most famous works in China. Animation and other works of art form emerge in endlessly. Since the introduction of film technology into China, as the representative of the gods and demons novels, Journey to the West is more in line with the image narration in terms of drama conflict and narrative structure. Its visual impact on the screen can better meet the audience's expectations of mythology and curiosity, so the Chinese creator's adaptation of Journey to the West has not stopped. The animated film also takes "Journey to the West" as an inexhaustible source of creativity. The content of this paper is divided into four parts: first, starting from the definition of animated film, it distinguishes the definition of derivation from that of adaptation. In order to make a relatively clear definition of the derivative animation film; second, every particular historical period, the derivative animation film of Journey to the West has a different theme type. The purpose of this chapter is to explore how the different themes of each period reflect the political background of this period, social culture and aesthetic taste, as well as the animation film of "Journey to the West" mainly in this form, and what kind of ideological function does it have? Third, as each work is an independent and real individual, from the perspective of narratology, through the different periods of derivative film text contrast fineness, from the individual characters, The specific plot of "Journey to the West" derivative animation film system analysis, interpretation of its different forms and patterns of derivative animation film "Journey to the West" follow the logic of thinking and text laws; 4th, through careful research and thinking, This paper sums up the predicament and anxiety of the development of animated films derived from "Journey to the West" in the new era. The starting point is "how to restate the story of" Journey to the West "," Why "restate the Story of" Journey to the West "and" how to tell "Journey to the West". This paper abstracts three ways and strategies to restate the predicament of story, cultural subjectivity and aesthetic artistry out of the new era. This paper takes the animated film of "Journey to the West" as the angle from the angle of literary text and film text, and puts forward the following three points of view: "Journey to the West", "Journey to the West", and "Aesthetic Art". Theoretical analysis and other aspects explain the history of the evolution of "Journey to the West" in 20th century in Chinese film screens. Of course, its significance is not limited to the search for meaning between the two forms of artistic expression: novel and film. Not only from the different historical periods of different animation text style comparison found symptoms, What is more important is that the text of Journey to the West itself had a strong ideological color in 20th century in China, especially in the second half. Therefore, every time the story of the Journey to the West starts in different artistic forms, We all have to ask why we started in this way at this time. Therefore, the history of the evolution of an animated film called Journey to the West reflects to some extent the path that China took in 20th century. To some extent, the predicament and anxiety of "Journey to the West" derived from and adapted under the new historical conditions are also the same as the predicament of the whole Chinese society and Chinese culture.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

【相似文献】