版画创作中的“动漫”取向研究

发布时间：2018-02-27 07:17

本文关键词： 大众文化多元化动漫青年　出处：《华中师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：近年来国内涌现了不少以“动漫”为创作题材的版画作品。这些版画作品吸取了漫画的样式与绘画技法,用夸张的造型,虚拟怪诞的艺术形式来进行绘画创作,这与主流版画作品的风格取向有着鲜明的对比。因其新奇的样式与充满童趣的艺术语言而受到部分年青一代的艺术家关注,笔者的创作上也有这方面倾向,这是对版画创作题材的挖掘,也包括对新的艺术语言的探索与利用。通过把“动漫”掺杂在版画的创作当中,版画本身的严谨与创作的灵动结合形成视觉与精神上的冲击。“动漫”风格的形成是符合美术发展规律的,它和当代社会环境、当代艺术思潮有着密不可分的联系。文章分为绪论、正文跟结语三个部分,其中正文部分为三章,第一章是在时代背景之下,社会的发展与科技的进步为当代青年的艺术创作提供了更多的可能性,大众文化的兴起推动了艺术创作形式的多样化,为“动漫”在版画当中的创作提供先决条件;第二章从“动漫”在版画中的萌芽以及发展来看,“动漫新人”出现的方式与分布的状况以及“动漫”创作类型的呈现,来了解这个未浮出水面的版画群体。第三章则是对版画中具有“动漫”取向的作品进行整理,从代表人物、创作题材和视觉呈现三个角度出发逐一分析中国当代的“动漫”版画作品,最后在就国内动漫作品与国外相对成熟的动漫作品进行比较,找到这当中的不足并寻求学习与借鉴。
[Abstract]:In recent years, there have been many printmaking works with the theme of "Animation" in China. These printmaking works draw on the style and techniques of comic books, and use exaggerated modeling, virtual grotesque art forms to create paintings. This is in sharp contrast to the style orientation of mainstream print works. It has attracted the attention of some young artists because of its novel style and artistic language full of childlike interest. This is the excavation of the subjects of print creation, as well as the exploration and utilization of the new artistic language. By mixing "animation" in the creation of prints, The combination of preciseness and ingenuity of print itself forms a visual and spiritual shock. The formation of "animation" style is in line with the law of art development, and it is in line with the contemporary social environment. The article is divided into the introduction, the text and the conclusion three parts, in which the main body part is three chapters, the first chapter is under the time background, The development of society and the progress of science and technology provide more possibilities for the artistic creation of contemporary youth. The rise of popular culture promotes the diversification of artistic creation forms and provides preconditions for the creation of "animation" in printmaking. The second chapter from the "animation" in print germination and development, "new animation" appeared in the way and distribution of the situation and "animation" creative type of presentation, To understand this unsurfaced group of prints. The third chapter is to sort out the works with the orientation of "anime" in the printmaking, from the representative figures. From the three angles of creation theme and visual presentation, this paper analyzes the Chinese contemporary "animation" printmaking one by one, and finally compares the domestic animation works with the relatively mature foreign animation works, finds out the shortcomings and seeks to learn and learn from them.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

【参考文献】