日本动漫中妖怪造型设计的应用研究

发布时间：2018-03-17 06:38

本文选题：漫画　切入点：妖怪　出处：《山东师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：随着美国日本等国家的动漫产业飞速发展，动漫开始受到世界各国的关注，我国的动漫设计也处在高速发展之中。动漫设计中的造型设计在整个作品中起着至关重要的作用，是一个作品成败与否的关键。妖怪元素作为动漫造型设计的一项重要元素，越来越多的被应用到了设计中，甚至以妖怪为主线题材的动漫作品也越来越多，特别在日本动漫中体现出来。但对于动漫造型设计处在高速发展的中国，还存在许多问题。当下的动漫中的妖怪造型基本都是一味的模仿美国的科幻题材造型风格或是模仿日漫的美型风格，忽略了带有我们自身民族特色的原创造型，缺乏创意性和突破性。国产动漫的造型设计，存在着造型设计缺乏创新性与突破性；造型设计中的民族特征表现不够；造型设计上画风不明确；造型多注重教育意义，忽略了趣味性的诸多问题，有待当代动漫作家们去解决。本文立足于动漫中妖怪造型的创作，以系统的分析和科学的方法研究如何更好的设计出灵活生动的妖怪造型。首先，分析妖怪造型的画风分类，对造型的设计的定位做好铺垫。在诸多以人形类妖怪为创作题材的动漫作品中，不同的妖怪造型各有各的特点。动漫造型的设计繁冗复杂，要想成功的设计出一个人形妖怪的生动造型，首先必须深入了解其特点，按照不同的画风分类去归纳总结。虽然所设计的造型是虚构的，但在设计过程中，要把他们的形态印刻在脑海，从而不断地分析不同风格中应该突出的设计元素及妖怪特性。其次，总结动漫中妖怪造型的设计规律，为妖怪造型设计提供合理的依据。这样不仅可以在造型设计上起到一定的引导作用，又可以更加方便的让后续的造型设计创新融入本土文化，让国产动漫的造型设计不仅仅是借鉴和模仿，而是拥有属于自己的东西。再次，整理出一套妖怪造型设计的绘制方法。最后，通过对妖怪造型设计的一系列研究，找出现今国产动漫中造型设计的不足以及启示。例如动漫作品常常会与民族文化相结合，作为文化的一种载体，用故事和绘画体现出来。若一部动漫中没有了文化的元素，那定会是如“无源之水”不能长流。总的来说，本文通过整合多方面因素，，提供了一个动漫中妖怪造型的设计思路。从最初的理论分析、实际调研到最终的设计实践，课题经历了一个完整的学习过程。本文分为五个部分，分别从探源、画风、规律、技法和启示等多个方面展开论述和研究。并提出了动漫设计中妖怪造型设计的规律，设计出了绘制技法，希望本文可以为今后相似的案例提供帮助。
[Abstract]:With the rapid development of animation industry in America, Japan and other countries, animation began to be concerned by all over the world, and the animation design of our country is also in the process of rapid development. The modeling design in animation design plays a vital role in the whole work. As an important element of animation modeling design, genie elements are more and more used in design, even anime works with genie as the main theme are becoming more and more. Especially in Japanese animation. But for China, where animation design is developing at a high speed, There are still a lot of problems. The genie modeling in the current animation is basically a blindly imitation of the American science fiction theme style or imitation of the beautiful style of the day, ignoring the original modeling with our own national characteristics. Lack of creativity and breakthrough. Domestic animation modeling design, there is a lack of innovation and breakthrough modeling design; modeling design in the national characteristics of performance is not enough; modeling design style is not clear; modeling more emphasis on educational significance, Neglected many interesting problems, to be solved by contemporary anime writers. This paper is based on the creation of genie modeling in animation, with systematic analysis and scientific methods to study how to better design a flexible and vivid genie modeling. First, the analysis of genie style classification, In many anime works with humanoid genie as the creation theme, the different genie shapes have their own characteristics. The design of animation modeling is complicated and complicated. In order to successfully design the vivid shape of a humanoid monster, we must first understand its characteristics and summarize it according to different painting styles. Although the design is fictional, but in the process of design, To print their form in mind, so as to constantly analyze the design elements and genie characteristics that should be highlighted in different styles. Secondly, summarize the design rules of genie modeling in animation, To provide a reasonable basis for monster modeling design. This not only can play a guiding role in modeling design, but also more convenient for the subsequent modeling design innovation into the local culture, Let the modeling design of domestic animation not only use for reference and imitation, but also have their own things. Thirdly, collate out a set of drawing methods of genie modeling design. Finally, through a series of research on genie modeling design, Find out the deficiency and enlightenment of modeling design in domestic animation nowadays. For example, animation works are often combined with national culture, as a carrier of culture, they are reflected by stories and paintings. If there is no cultural element in a cartoon, All in all, this paper, by integrating various factors, provides a design idea for genie modeling in anime. From the initial theoretical analysis, the actual investigation to the final design practice, The subject has experienced a complete learning process. This paper is divided into five parts, respectively from the exploration of the source, painting style, law, techniques and inspiration and other aspects of the discussion and research. Design the drawing techniques, hope this article can provide help for similar cases in the future.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J218.2

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