论上海戏曲的过去、现状与振兴的对策

发布时间：2018-04-21 14:24

本文选题：上海人 + 戏曲活动　；参考：《同济大学学报(社会科学版)》2009年06期

【摘要】：上海自明代以来,戏曲活动极为繁胜。从二十世纪初,上海在保存昆曲、将长江三角洲地区的许多民间小戏培育成戏曲剧种、开创京剧海派、打造戏曲名家、探索现代戏曲的表演范式等方面作出了卓越的贡献。然而今日上海虽然仍有着一流的演出团体,有着雄厚的财力,也有着许多迷恋戏曲的观众,但没有像过去那样,在全国戏曲界起着领先的作用,与上海的国际化大都市的地位极不相称。要振兴上海的戏曲,必须不遗余力地在全国范围内招募人才;高度重视编演反映时代特征、表现普通民众生活的新剧目;打造一大批动漫戏曲片;大力培养戏曲观众;鼓励与扶持民营剧团;通过艺术评论等手段,提升领军人物的知名度。
[Abstract]:Since the Ming Dynasty, the opera activities have been very complicated in Shanghai. Since the early twentieth Century, Shanghai has made outstanding contributions to the preservation of Kunqu Opera, the cultivation of many folk drama in the Yangtze River Delta as a opera drama, the creation of Peking Opera, the famous opera and the exploration of the performance paradigm of modern opera. However, although Shanghai still has the first class. The performance group, with abundant financial resources and a lot of audience who are infatuated with the opera, has played a leading role in the National Opera world as in the past, and is extremely disproportionate to the status of the international metropolis in Shanghai. To rejuvenate the opera in Shanghai, we must spare no effort to recruit talents throughout the country; attach great importance to the rehearse of the era of reflection. Features, the performance of the new plays of ordinary people's life, a large number of animation and opera films, the training of opera audiences, the encouragement and support of private theaters, and the promotion of the popularity of the leading figures through artistic comments.

【作者单位】：上海大学影视艺术学院;
【基金】：国家社会科学基金艺术学项目“中国戏曲·民间舞蹈·民间音乐现状调查”(06EA01) “城市化进程中的戏曲发展研究”(08BB15)成果之一
【分类号】：J825

【共引文献】