论消费文化语境下的新世纪女性写作

发布时间：2018-04-21 22:20

本文选题：消费文化 + 新世纪　；参考：《浙江师范大学》2012年硕士论文

【摘要】：新世纪以来,随着政治、经济、文化和电子传媒的持续发展与人们价值观念的变化,中国的社会文化语境发生了重大转换。在商业原则的主导下,消费文化通过市场与资本之手对当代文化进行着改造,不但成为日常生活中最突出的文化表征和现实语境,而且渗透到文学内部导致了文学内在机制的重大转变,成为最能反映当下文化内涵的核心话语。由于女性与消费的特殊历史联系,女性写作不可避免地深受消费文化的影响。在文化资本权力、经济资本权力和性别资本权力的制约与操纵下,新世纪女性写作在沿袭和继承1990年代既有成就的基础上发生了新的裂变。本文认为,无论是被迫妥协还是自愿配合,无论是从写作形态的深层变化还是从直观呈现来看,新世纪女性写作与消费文化之间都存在着操纵与反操作、合谋与悖反的复杂关系,并达成了一种世纪性的合谋。中国女性作家对当前文学机制和文学环境的变化不仅有了清醒的认识,还调整好了自己的处世姿态,对文学市场化的态度由排斥、犹疑转变为接纳与迎合,不仅妥协于市场的操纵,还与以商业原则为主导的文化市场达成了默契。由此,新世纪的女性写作在总体上呈现出市场化、大众化的文化取向,这直接导致了文本中女性意识的流变和批判性的弱化。在文化资本、经济资本和性别资本的权力场域中,女性写作已经不再单纯表达女权主义之前所要求的那种昂扬而激进的性别诉求,而是更多地涉及世俗化、日常化的女性关怀和欲望表达,在整体上呈现出女性意识的柔化及性别姿态的改变。除第一章绪论外论文还有四章内容：第二章,通过分析消费文化中的权力构成及其特征和新世纪女性写作的文化走向,指出消费文化对女性写作操纵的可能性与现实性。第三章,通过对都市、青春和底层这三种比较典型的叙事形态的深入分析,来探析消费文化对新世纪女性叙事的内在影响。第四章,通过图文化、影视化、动漫化和网络化几种文本形态的新特征,来揭示新世纪女性写作的直观性变化及其内在联系。第五章,通过分析女性写作中的悲剧性、审丑性和日常性三种审美形态,指出新世纪女性写作审美趣味的变化。总之,相较于1990年代无论是从作家本人的主观意识还是文本的客观呈现来看,新世纪的女性写作都以世俗性和日常性取代了传统的精英性,逐渐呈现出明显的市场化追求。
[Abstract]:Since the new century, with the continuous development of politics, economy, culture and electronic media and the change of people's values, China's social and cultural context has undergone a major transformation. Under the guidance of commercial principles, consumer culture has transformed contemporary culture through the hands of market and capital, which has become the most prominent cultural representation and realistic context in daily life. Moreover, penetrating into the literature leads to a great change in the internal mechanism of literature and becomes the core discourse which can best reflect the connotation of current culture. Because of the special historical relationship between women and consumption, female writing is inevitably influenced by consumer culture. Under the restriction and manipulation of the power of cultural capital, the power of economic capital and the power of gender capital, the female writing of the new century has undergone a new fission on the basis of inheriting and inheriting the achievements of the 1990s. This paper argues that whether it is forced to compromise or voluntary cooperation, whether from the deep changes in writing form or from the visual presentation, there are manipulation and counter-operation between female writing and consumer culture in the new century. The complex relationship between conspiracy and opposition, and the conclusion of a century of collusion. Chinese female writers not only have a clear understanding of the current literary mechanism and changes in the literary environment, but also have adjusted their attitude towards the world, and their attitude towards literature marketization has changed from rejection to acceptance and pandering. Not only compromise in the market manipulation, but also with the commercial principles of the cultural market for the tacit understanding. As a result, female writing in the new century generally presents a market-oriented and popular cultural orientation, which directly leads to the evolution of female consciousness and the weakening of criticism in the text. In the sphere of power of cultural capital, economic capital and gender capital, women's writing is no longer simply about the kind of exalted and radical gender demands that were required before feminism, but more about secularization. The daily female care and expression of desire show the softness of female consciousness and the change of gender posture. In addition to the introduction of the first chapter, there are four chapters: chapter two, by analyzing the composition and characteristics of power in consumer culture and the cultural trend of female writing in the new century, the author points out the possibility and reality that consumer culture manipulates female writing. The third chapter analyzes the inner influence of consumption culture on female narration in the new century through the deep analysis of three typical narrative forms: city youth and bottom. The fourth chapter, through the new features of graphic culture, film and television, animation and network, to reveal the new century female writing intuitive changes and their internal relations. The fifth chapter points out the changes of aesthetic taste of female writing in the new century by analyzing the tragic, ugly and daily aesthetic forms in female writing. In a word, compared with the subjective consciousness of the writer and the objective presentation of the text in the 1990s, the female writing of the new century has replaced the traditional elite with secular and daily nature, and gradually presents an obvious market-oriented pursuit.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I206.7

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