超人：从动漫角色到大众文化偶像的变迁

发布时间：2018-04-28 22:23

本文选题：超人 + 超级英雄　；参考：《河南大学》2012年硕士论文

【摘要】：超人（Superman），由杰瑞·西格尔（Jerry Siegel）和乔·舒斯特（Joe Shuster）共同创作，1938年6月在美国国家联合出版公司(前DC漫画公司)旗下的《动作漫画》（Action Comics）杂志上开始连载，并在多个媒体上迅速流行开来。经过70余年不懈地发展，超人同圣诞老人、米老鼠、福尔摩斯一样，已经成为世界大众文化领域中的一个奇观。超人在动漫世界和现实生活中都具有巨大的影响力。动漫世界中，超人被广泛认为是“第一位超级英雄”，对“超级英雄”这一类型的动漫形象做出了定义。不仅如此，超人揭开了美国漫画史上“黄金时代”的帷幕，也同他的前辈，通俗杂志中的英雄角色，划清了界限。现实生活中，美国VH1电视台进行的“两百位最伟大大众文化偶像”评选中，超人位居第二。除此之外，默罕默德·阿里、沙奎尔·奥尼尔、尼古拉斯·凯奇等体育及影视界明星将超人视为偶像，美国总统奥巴马也多次或是以超人的形象，或是以超人的动作出现在宣传品当中。以超人为代表的超级英雄取代通俗小说英雄，是美国大众文化随社会和时代发展而不断交替的真实写照。当西部边疆开拓逐步进入尾声，城市生活开始兴起时，代表着西部边疆开拓文化的泰山、柯南、萨维奇等通俗小说中的英雄无法解决新时代城市化生活中出现的威胁与难题。作为对时代、社会生活的回应,以超人为代表的漫画超级英雄诞生了。超人是第一位漫画超级英雄，是美国传统和历史相结合的产物。纵观他逐步成为全球著名大众文化偶像的过程，不难发现美国传统宗教文化、移民文化、价值观和社会心理等因素共同发挥作用的痕迹。超人自诞生以来，其故事以及相关大众文化产品被不同国家，有着不同文化背景的受众所熟知和接受。相比之下，我国动漫领域尚未出现能够在影响力上和超人相媲美的动漫形象。超人对中国动漫角色形象建设有着重要的借鉴意义。有鉴于此，通过认真分析超人由普通漫画英雄到著名大众文化偶像的过程，，并将中国动漫中常见的神话人物同以超人为代表的超级英雄进行比分析，找出中国动漫超级英雄形象建设的不足之处，借鉴日本和美国等动漫强国的创作技巧、理念以及营销手法，以期对中国动漫形象建设有所裨益。
[Abstract]:Superman, co-authored by Jerry Siegeland Joe Shuster, was published in June 1938 in Action comics, a magazine owned by the National Co-Publishing Company (formerly DC Comics). And quickly became popular in multiple media. After more than 70 years of unremitting development, Superman, like Santa Claus, Mickey Mouse and Sherlock Holmes, has become a wonder in the field of mass culture in the world. Superman in the animation world and real life has a huge impact. In the animation world, Superman is widely regarded as "the first superhero". Not only that, Superman opened the "Golden Age" of American comic history and drew a line with his predecessor, the hero of popular magazine. In real life, Superman ranks second in the selection of 200 of the greatest popular cultural idols by VH1. In addition to this, sports and film stars like Muhammad Ali, Shaquille O'Neill, Nicholas Cage and other sports and film stars regard Superman as an icon, and US President Barack Obama has repeatedly or in the image of Superman. Or appear in the propaganda as superhuman action. Superhero, represented by Superman, replaces the hero in popular novels, which is a true portrayal of American popular culture alternating with the development of society and times. When the development of the western frontier came to an end and the city life began to rise, the heroes in popular novels such as Tarzan, Conan, Savage and other popular novels could not solve the threats and problems in the urbanization life in the new era. As a response to the times and social life, superheroes, represented by Superman, were born. Superman was the first comic superhero, a combination of American tradition and history. Throughout his process of becoming a world famous popular culture icon, it is not difficult to find the trace of American traditional religious culture, immigrant culture, values and social psychology and so on. Since Superman was born, his stories and related popular cultural products have been well known and accepted by audiences with different cultural backgrounds in different countries. In contrast, China's animation field has not yet appeared in the impact and Superman comparable animation image. Superman has important reference significance to Chinese animation character image construction. In view of this, by carefully analyzing the process of Superman from ordinary comic hero to famous popular cultural idol, and comparing the common mythical characters in Chinese animation with superheroes represented by Superman, To find out the shortcomings of Chinese animation superhero image construction, draw lessons from Japan and the United States and other animation power creative skills, ideas and marketing techniques, in order to build the image of China's animation benefits.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G112

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