视觉文化：日本动漫《海贼王》中的暴力元素研究

发布时间：2018-06-15 00:30

本文选题：视觉文化 + 《海贼王》　；参考：《重庆大学》2014年硕士论文

【摘要】：本文以动画版《海贼王》为研究对象，以探讨《海贼王》中的暴力元素为研究目标，以视觉文化为研究视域全面而深入地对《海贼王》中的暴力元素进行分析与解读。由于视觉文化以“可见图像”为基本表意符号，，它不仅关注“可见图像”最基本的可见层面，还关注“可见图像”表达什么，即“可见图像”的内涵层面。因此，笔者将《海贼王》中的暴力元素置于视觉文化的研究视域中，首先，笔者从作品呈现暴力元素“可见图像”最基本的可见层面入手，结合具体动漫文本《海贼王》以“镜头”作为具体切入点，在对“暴力”、“《海贼王》中的暴力元素”、“暴力动漫”几个概念做出比较区分的前提下结合镜头语言相关理论通过暴力元素之暴力镜头分析、空镜头与定格的运用两个方面探讨了《海贼王》“如何表达”暴力元素并将《海贼王》表达暴力元素的表达方式总结为：纪实夸张化的暴力元素表达方式、写意唯美化的暴力元素表达方式、游戏娱乐化的暴力元素表达方式。另外，除了观察并分析《海贼王》呈现暴力元素的镜头语言，笔者也从“可见图像”的内涵层面试析《海贼王》中暴力元素背后的日本传统文化内涵。皮尔斯符号学中的“指号过程”理论为笔者从文化角度理解《海贼王》中暴力元素背后的文化内涵提供了理论基础与途径。然后笔者结合《海贼王》中暴力元素实例，进一步从“不可不报的情义”、“修行：一种自我修养的方式”、“樱：日本集体观的物化形象”、“幽情：无的有效性”四个方面试析作品中暴力元素与日本文化之间的关系。通过对《海贼王》中暴力元素镜头语言与文化内涵的分析最终为我国动漫创作者处理动漫中的暴力元素提出自己的建议。
[Abstract]:This paper takes the cartoon version of "one thief" as the research object, discusses the violent elements in "the King of thieves" as the research goal, and takes the visual culture as the research horizon to analyze and interpret the violent elements in the "King of thieves" comprehensively and deeply. Because visual culture regards "visible image" as the basic ideographic symbol, it not only pays attention to the most basic visible level of "visible image", but also pays attention to what "visible image" expresses, that is, the connotation level of "visible image". Therefore, the author puts the violent elements in "King of thieves" in the visual culture research horizon. First, the author starts with the most basic visible aspect of the "visible image" of the violent elements in his works. Combined with the specific animation text "King of thieves" to "lens" as a specific entry point, in the "violence", "the King of thieves" in the violent elements, On the premise of making a comparative distinction between several concepts of "violent animation" and combining with the relevant theory of lens language, the violent lens analysis of the violent elements is adopted. In this paper, the author discusses how to express the violent elements in "King of thieves" and sums up the expression of violent elements in "King of thieves" from two aspects of the use of the empty lens and the freeze, which are as follows: the expression of violent elements in the form of documentary exaggeration. Freehand brushwork aesthetic expression of violent elements, game entertainment of violent elements expression. In addition, in addition to observing and analyzing the lens language of the violent elements, the author also tries to analyze the traditional Japanese culture connotation behind the violent elements in the "visible image" from the connotation level of "visible image". The theory of "finger process" in Pierce's semiotics provides a theoretical basis and approach for the author to understand the cultural connotations behind the violent elements in "King of thieves" from a cultural point of view. Then the author combines the examples of violent elements in "King of thieves", further from "can not repay the feelings", "spiritual practice: a way of self-cultivation", "Sakura: Japan's collective view of the materialized image," The relationship between the violent elements and the Japanese culture in the works is analyzed in four aspects: seclusion: effectiveness of nothing. Through the analysis of the lens language and cultural connotation of violent elements in "King of thieves", some suggestions are put forward for Chinese anime creators to deal with the violent elements in animation.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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