日韩现代设计历史比较研究

发布时间：2018-06-14 23:55

本文选题：日本 + 韩国　；参考：《江南大学》2008年硕士论文

【摘要】： 日韩现代设计经历了战后半个世纪的成长与壮大,今天已取得了斐然的成就,并以盛气凌人的感召力相继在中国市场上刮起了“和风”、“韩流”。日韩的发展理应受到中国设计界的高度重视。然而,相对于市场上两国物质产品的多姿多彩,现代设计的研究却显得格外的苍白无力。尽管我们对日本现代设计有了一定了解,但具体到韩国现代设计的面貌,不禁哑然。值此中国现代设计快速发展的关键时期,两国现代设计发展脉络的梳理分析,以及建立于此的对比研究,对于目前中国设计的定位和未来发展规划都是相当重要的,甚至直接关系到中国经济发展的未来。日韩现代设计历程与欧洲的设计发展有明显的区别:日韩现代设计可以说不是“自发”的,而是从属、并依附于经济,有其独特性。日韩长期沐浴于中国儒家文化,战后又同受美国重商主义和大众文化的影响,以及战后国际工业技术发展的整体时空环境,致使现今日韩现代设计显性表征的趋同化倾向。不过,日韩各自的民族秉性表现了不同价值取向,通过对战后主流设计思想的选择吸收、融合、沉淀,形成了洋溢着“缩小”理性哲学的日本现代设计与“曲线”感性美学的韩国现代设计的分野,并依此为基础融合诸如服饰、舞蹈、影视、动漫、游戏等各种文化成分,通过现代通讯与媒介手段席卷亚洲并波及整个世界市场。本研究以日韩现代设计史纵向时间轴为起点,总结了日韩现代设计发展模式─—倒金字塔范式,在此基础上分别对日韩政治经济、社会文化、科学技术三方面背景的横向比较,层层深入,概括日韩现代设计历程的影响因素以及发展条件,进而寻求目前日韩现代设计趋同化与差异化的因素,最后解析了日韩现代设计研究在中国的价值。
[Abstract]:The modern design of Japan and Korea has experienced the growth and growth of half a century after the war. Today, it has made great achievements, and has blown "harmony" and "Korean current" in the Chinese market with its domineering appeal. The development of Japan and Korea should be highly valued by the Chinese design community. However, compared with the material products of the two countries in the market, the research of modern design is especially weak. Although we have a certain understanding of modern Japanese design, but the face of Korean modern design, can not help but mute. At this critical period of rapid development of modern design in China, the analysis of the development of modern design in the two countries, as well as the comparative study based on this, are very important for the positioning and future development planning of Chinese design at present. Even directly related to the future of China's economic development. The process of modern design in Japan and Korea is obviously different from that in Europe: modern design of Japan and Korea is not "spontaneous", but subordinate, and dependent on economy, so it has its own uniqueness. Japan and Korea were bathed in Chinese Confucian culture for a long time, and influenced by American mercantilism and mass culture after the war, as well as the overall spatio-temporal environment of postwar international industrial technology development, which led to the assimilation tendency of the dominant representation of modern design between Japan and Korea. However, Japan and South Korea have displayed different value orientations in their respective national attitudes. Through the selection, absorption, integration and precipitation of the mainstream design ideas after the war, Forming a distinction between Japanese modern design, which is permeated with "shrinking" rational philosophy, and Korean modern design, which is "curve" perceptual aesthetics, and based on this, it integrates various cultural elements such as clothing, dance, film and television, animation, games, etc. Through modern communication and media means swept across Asia and the entire world market. This study takes the longitudinal time axis of modern design history of Japan and Korea as the starting point, summarizes the development model of modern design in Japan and Korea-the inverted pyramid paradigm, and on this basis compares the political and economic, social and cultural, and scientific and technological backgrounds of Japan and South Korea respectively. In this paper, the influencing factors and developing conditions of the modern design process of Japan and Korea are summarized, and the factors of assimilation and differentiation of modern design between Japan and Korea are sought. Finally, the value of the study of modern design in Japan and Korea in China is analyzed.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J509.1

【引证文献】