《三个和尚》的动画节奏研究

发布时间：2018-06-16 16:06

本文选题：动画 + 节奏　；参考：《西安理工大学》2010年硕士论文

【摘要】： 动画这种最直接,最生动,最综合的表现手法理所当然的得到人们的重视。可回观我国动画市场之现状却叫人担忧,数量极少且普遍题材范围狭小,观众低龄化,制作水平低下等等。针对这些问题,《三个和尚》作为中国优秀的传统动画片,在故事内涵,造型设计,色彩搭配及镜头运用和音乐搭配上都堪称经典。尤其在动画节奏的整体运用上,有许多值得我们借鉴的地方。节奏对于一部动画片的成败是至关重要的。本文将通过大量阅读关于《三个和尚》的背景和当时设计的相关资料,了解他们的动画制作理念。并且,对角色造型及其动作速度的快慢、各环节主次强弱的变化、色彩配置和镜头切换等方面进行的研究与分析,运用分析法、比较法和图例法,深入剖析影片剧情,故事风格,角色和场景造型,镜头运用及主体动作和音乐各自的节奏特点,并且通过例证法找到影片各元素之间的节奏契合点,总结出各自在整个影片节奏中的关系和作用。在这个基础上再参阅大量文献,系统学习研究关于节奏和动画节奏的理论知识,对本课题有关的初始资料,加以收集、整理,从而总结出《三个和尚》中所潜藏的动漫节奏规律。文中通过列举了大量的动画实例,分析了在不同风格类型动画上的节奏特点,找到今后国产动画制作中需要借鉴之处,最终找到动画中内外节奏的关系处理方法。通过运用动画中的这种节奏规律结合中国深厚的传统文化背景,并且把这种优秀的动画影片节奏规律进行再提高和再创新。期望为中国文化特色的动画设计与发展提供一种思路。
[Abstract]:Animation is the most direct, the most vivid, the most comprehensive expression of course by people's attention. However, the present situation of animation market in China is worrying, with a small number and narrow range of common subjects, low age of audience, low production level and so on. In order to solve these problems, the three monks, as an excellent traditional cartoon in China, can be regarded as classic in the aspects of story connotation, styling design, collocation of color, use of lens and music. Especially in the whole use of animation rhythm, there are many worthy of our reference. Rhythm is crucial to the success or failure of an animated film. This article will read a lot about the background of the three monks and the relevant materials of the design at that time to understand their animation ideas. In addition, the research and analysis of the character modeling and the speed of action, the changes of the main and secondary strength of each link, the coloring configuration and the lens switching, etc., using the analysis method, the comparison method and the legend method, deeply analyze the film plot. The story style, character and scene modeling, the use of lens and the rhythmic characteristics of the main action and music, and through illustrative method to find out the rhythm of the elements of the film, summed up the relationship and role of each in the whole film rhythm. On this basis, we will refer to a large number of documents, systematically study and study the theoretical knowledge of rhythm and animation rhythm, collect and organize the initial data related to this subject. Thus summed up the "three monks" hidden in the rhythm of animation laws. Through enumerating a large number of animation examples, this paper analyzes the characteristics of rhythm in different styles of animation, finds out what needs to be used for reference in the production of domestic animation in the future, and finally finds out the relationship between internal and external rhythm in animation. Through the use of this rhythm in animation combined with China's deep traditional cultural background, and this excellent animation film rhythm law to further improve and re-innovation. It is expected to provide a way of thinking for the design and development of animation with Chinese cultural characteristics.
【学位授予单位】：西安理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J954

【引证文献】