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湖湘文化中动画元素的发掘

发布时间:2018-11-13 16:25
【摘要】:中国是传统文化底蕴深厚的国家,在上下五千年的文明进程中,留下了宝贵的文化遗产,湖湘文化就是其中之一。湖湘文化是一种具有鲜明特征和传承关系且相对稳定的历史文化形态。先秦、两汉时期湖南文化应该纳入楚文化中。马王堆的历史文物、屈原的诗歌艺术,均具有鲜明的楚文化特征。而南北朝及两宋以来,由于历史的变迁发展,特别是经历了宋、元、明的几次大规模的移民,使得湖湘人民在人口、风俗习惯、思想观念等各方面发生了重要变化,从而建构、组合出一种新的区域文化的形态,我们称之为湖湘文化。“惟楚有才,于斯为盛”,在湖湘文化的构建和发展中,先秦、两汉的楚文化对其有着重要的影响。 湖湘文化是一种独具特色的地域性文化,身在其中的湖南人,都深受着她的影响,接受她的洗礼,打上她的烙印。勤劳勇敢的湖南人在湖湘文化的熏陶下,受益颇多,他们走上了世界的舞台,演绎出了自己光芒的人生,并得到世人的敬仰。湖湘文化不只是简简单单的地域性文化,她早己摆脱了其自身的地域限制,发展成了中国乃至全世界所关注的民族文化。但是,在近年的湖湘文化研究热潮中,对于湖湘文化与动画产业之间的相互影响这一课题至今没有人进行深入系统的研究,具体不足表现在:研究工作十分零散,缺乏逻辑性、系统性;研究成果宏观上缺乏对文化的把握,微观上缺乏对动画元素的深入挖掘。因此本文尝试从宏观、微观两个角度系统的研究湖湘文化与动画的内在联系,弥补前人在这方面研究的不足,相信这一研究对于推动我国动漫发展具有非常积极意义
[Abstract]:China is a country with profound traditional culture. In the process of five thousand years of civilization, Huxiang culture is one of them. Huxiang culture is a relatively stable historical and cultural form with distinct characteristics and inheritance relations. Hunan culture should be brought into Chu culture in pre-Qin and Han dynasties. Mawangdui's historical relics and qu Yuan's poetic art all have distinct Chu culture characteristics. However, since the Southern and Northern dynasties and the two Song dynasties, due to the historical changes and developments, especially the large-scale migration of the Song, Yuan, and Ming dynasties, the people of Huxiang have undergone important changes in population, customs, ideas, etc. The combination of a new form of regional culture, we call it Huxiang culture. In the construction and development of Huxiang culture, the Chu culture of pre-Qin and Han dynasties had an important influence on it. Huxiang culture is a unique regional culture, in which the people of Hunan are deeply influenced by her, accepted her baptism and branded her. The industrious and brave Hunan people benefited a lot from the culture of Huxiang. They stepped onto the stage of the world, deduce their own light of life, and were admired by the world. Huxiang culture is not only a simple regional culture, but also a national culture concerned by China and the whole world. However, in recent years, in the Huxiang culture research boom, there is no in-depth and systematic research on the interaction between Huxiang culture and animation industry. The specific shortcomings are: the research work is very scattered, lack of logic, Systematic; The research result lacks the grasp of culture in macroscopic and the deep excavation of animation element in microcosmic. Therefore, this paper attempts to systematically study the internal relationship between Huxiang culture and animation from macro and micro perspectives, and make up for the deficiencies of previous researches in this respect. I believe this research has a very positive significance for promoting the development of animation in China.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:G127

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