中国当代新卡通绘画艺术研究
发布时间：2018-12-15 00:10
【摘要】： 任何一种艺术都没有绝对的稳定性,它们会随着社会发展进程不断解构、重构。中国的当代艺术则随着社会结构和经济制度的深刻变化进行着一次又一次的变革。文化现象的融合产生出了许多前卫新鲜的新面孔。许多从校门走出不久的年轻艺术家从不同的纬度出现在当代艺术的舞台上,成为新世纪艺术界最有活力的生力军。他们脱离了历史、政治和现实的苦难,生活在被时尚流行文化包围的网络时代,他们的艺术创作也极力在流行文化中寻找个人图式。于是,选择熟悉和喜爱的漫画符号语言成为他们艺术的视觉本体。新卡通绘画,这一随之诞生的艺术形式,在拥有引人关注的艺术面貌的同时也备受争议和指责。它所表现出的的绚烂、轻松、戏谑、游戏的才情被评论家斥为缺乏知识分子的批判性和社会文化责任,作品流露出的只是顺从日常生活的享乐意识和时尚意识。 当九十年代那些带有强烈的政治意识取向、深刻而沉重的政治波普图式被当代艺术青年毫不犹豫的抛弃,转为风行一种极富卡通游戏色彩的绚烂图式表达后。所有人都强烈的感受到:中国当代艺术正经历一场巨变。 艺术是时代的产物,本文希望通过分析研究中国当代新的绘画语言,来反映年轻一代艺术家的精神气质和新的视觉形态;反映中国的社会变化给个人自我经验带来的新东西。本文结合当前的文化背景和艺术环境,对新卡通绘画的形成、发展及流行的原因进行考察,全文共分为五个部分: 第一部分:叙述新卡通绘画由出生到流行的发展历程。大众消费文化在现代中国的迅猛发展,给年轻艺术家提供了可自由发展的艺术土壤。新卡通艺术是从世纪末多元文化共存的尴尬格局中脱身而出的一支新势力。 第二部分:本章结合图像时代的到来分析卡通自身的优势,并通过分析新卡通艺术创作群体的生活环境、思考方式以及相关的社会条件揭示新卡通绘画产生的合理性和必然性。 第三部分:批评家认为现在的卡通绘画在图像上与大众流行卡通、尤其是与日本风格的动漫太过相像。这一章里通过梳理中国当代艺术发展历程,结合分析新卡通绘画与日本当代艺术、西方波普等存在的差异,讨论如何在这之上建立起属于自己的新艺术而不总被人认为是对动漫游戏的简单模仿。 第四部分:年轻艺术家如今在这一探索上走得更远,行走的姿态也更为多姿多彩,他们中间不乏许多灵动智慧的面孔:熊莉均色彩张扬的快乐感觉、李继开那些魔幻现实主义的梦境、熊宇画中的透明虚幻的气氛……他们虽然没有旗帜鲜明的艺术主张,然而处于这样一个众声喧嚣的年代,表现自我表述内心对他们来说才是最重要的。从自己独特的视角出发,他们用全新的方式、用新鲜的艺术语言反映着眼中的世界。本章通过分析这些个性迥异的图像,力求从风格的多样化、思维的前瞻性等方面突出他们的艺术成就。 第五部分:在当下这个变化多端的世界,架上绘画以外的许多艺术形式,演绎着令人目不暇接的变奏,新卡通绘画能走多远,作为当代艺术它能否构成一种文化及社会的积极动力、又会不会随着价值取向的日益多元化而逐渐消解,本章进行了深刻的思考和讨论。
[Abstract]:There is no absolute stability in any art, and they will be deconstructed and reconstructed with the process of social development. The contemporary art of China is changing with the profound changes of the social structure and the economic system. The integration of cultural phenomena has produced many new and new faces of avant-garde. Many young artists who come out of the school in the near future appear on the stage of contemporary art from different latitudes, and become the most dynamic force in the art world in the new century. They are separated from the suffering of history, politics and the reality, living in the network age surrounded by the fashionable and popular culture, and their artistic creation is also trying to find the personal schema in the popular culture. Then, choose the familiar and favorite caricature symbol language to become the visual body of their art. The new cartoon painting, which is born in the form of art, is also controversial and accused while having an interesting artistic appearance. It shows the brilliant, relaxed, play-in, the game's talent is repelled by the critic as the lack of the intellectual's critical and social cultural responsibility, the work exudes only the pleasure consciousness and the fashion consciousness of the obedience to the daily life. As those with strong political consciousness in the 1990s, the deep and heavy political wave of the political wave was abandoned by the youth of the contemporary art without hesitation, and turned into a gorgeous drawing of the color of the cartoon game. After the expression, all of us feel strongly: the Chinese contemporary art is experiencing one The art is the product of the times. In this paper, it is hoped that the spirit and the new visual form of the young artists will be reflected by the analysis of the new Chinese painting language. Based on the current cultural background and the art environment, this paper makes a survey on the causes of the formation, development and popular of the new cartoon painting. It is divided into five parts: the first part: the narrative of the new cartoon painting From the birth to the popular development course, the mass consumption culture is developing rapidly in the modern China and provides young artists with The art soil can be developed freely. The new cartoon art is an awkward pattern of multi-cultural coexistence at the end of the century. The second part: this chapter analyzes the advantages of the cartoon itself in the light of the arrival of the image age, and reveals the way of thinking and the relevant social conditions through the analysis of the life environment, the way of thinking and the related social conditions of the new cartoon art creation group. The Rationality and Inevitability of the New Cartoon Painting. Part Three: The Critics believe that the present cartoon painting is in image with the mass flow This chapter, through combing the development of Chinese contemporary art, combines the analysis of the differences between the new cartoon painting and the Japanese contemporary art, western wave and the like, and discusses how to set up a new art which belongs to itself. It is not always considered to be a simple imitation of the animation game. The fourth part: The young artists are far more far from this exploration, and the attitude of walking is more colorful. There are many of them in the middle of them: the bear's uniform color The happy feeling of the color, Li's follow-on Some of the magic realist dreams, the transparent and illusory atmosphere in the bear-woo picture. Although they do not have a clear artistic claim, they are so noisy In the years, the expression of self-expression is the most important for them. From a unique perspective, they In a brand-new way, the world in the eye is reflected in the fresh art language. This chapter tries to make it from style to style by analyzing these different images The fifth part: In the present changing world, there are many artistic forms other than painting on the shelf, which deducts the stunning changes, and the new cartoon painting can As a contemporary art, it can form a positive force of culture and society, and will not change with value
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J218.7
本文编号：2379566
[Abstract]:There is no absolute stability in any art, and they will be deconstructed and reconstructed with the process of social development. The contemporary art of China is changing with the profound changes of the social structure and the economic system. The integration of cultural phenomena has produced many new and new faces of avant-garde. Many young artists who come out of the school in the near future appear on the stage of contemporary art from different latitudes, and become the most dynamic force in the art world in the new century. They are separated from the suffering of history, politics and the reality, living in the network age surrounded by the fashionable and popular culture, and their artistic creation is also trying to find the personal schema in the popular culture. Then, choose the familiar and favorite caricature symbol language to become the visual body of their art. The new cartoon painting, which is born in the form of art, is also controversial and accused while having an interesting artistic appearance. It shows the brilliant, relaxed, play-in, the game's talent is repelled by the critic as the lack of the intellectual's critical and social cultural responsibility, the work exudes only the pleasure consciousness and the fashion consciousness of the obedience to the daily life. As those with strong political consciousness in the 1990s, the deep and heavy political wave of the political wave was abandoned by the youth of the contemporary art without hesitation, and turned into a gorgeous drawing of the color of the cartoon game. After the expression, all of us feel strongly: the Chinese contemporary art is experiencing one The art is the product of the times. In this paper, it is hoped that the spirit and the new visual form of the young artists will be reflected by the analysis of the new Chinese painting language. Based on the current cultural background and the art environment, this paper makes a survey on the causes of the formation, development and popular of the new cartoon painting. It is divided into five parts: the first part: the narrative of the new cartoon painting From the birth to the popular development course, the mass consumption culture is developing rapidly in the modern China and provides young artists with The art soil can be developed freely. The new cartoon art is an awkward pattern of multi-cultural coexistence at the end of the century. The second part: this chapter analyzes the advantages of the cartoon itself in the light of the arrival of the image age, and reveals the way of thinking and the relevant social conditions through the analysis of the life environment, the way of thinking and the related social conditions of the new cartoon art creation group. The Rationality and Inevitability of the New Cartoon Painting. Part Three: The Critics believe that the present cartoon painting is in image with the mass flow This chapter, through combing the development of Chinese contemporary art, combines the analysis of the differences between the new cartoon painting and the Japanese contemporary art, western wave and the like, and discusses how to set up a new art which belongs to itself. It is not always considered to be a simple imitation of the animation game. The fourth part: The young artists are far more far from this exploration, and the attitude of walking is more colorful. There are many of them in the middle of them: the bear's uniform color The happy feeling of the color, Li's follow-on Some of the magic realist dreams, the transparent and illusory atmosphere in the bear-woo picture. Although they do not have a clear artistic claim, they are so noisy In the years, the expression of self-expression is the most important for them. From a unique perspective, they In a brand-new way, the world in the eye is reflected in the fresh art language. This chapter tries to make it from style to style by analyzing these different images The fifth part: In the present changing world, there are many artistic forms other than painting on the shelf, which deducts the stunning changes, and the new cartoon painting can As a contemporary art, it can form a positive force of culture and society, and will not change with value
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J218.7
【参考文献】
相关期刊论文 前1条
1 鲁虹;“新人类”现象在中国当代油画中的呈现[J];文艺研究;2005年11期
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