论王筠对谐声研究的贡献

发布时间：2018-05-01 02:15

本文选题：王筠 + 说文句读　；参考：《华中科技大学》2012年硕士论文

【摘要】：王筠是清代“《说文》四大家”之一，《说文释例》和《说文句读》是他最重要的两部文字学著作。其中《说文释例》集中体现了王筠的文字学理念，该书不但对许慎的《说文》“六书”体例进行了详细而系统的阐释，还提出了很多独创性的文字学理论和概念，比如“分别文”、“累增字”等都是前人所未注意到的文字学现象。《说文句读》不但取段玉裁、严可均、桂馥三家之长，还反映了许多王氏独有的文字学观念。因此研究王筠的文字学理论需将二书互相参照、互为补充。前人对王筠文字学理论的研究主要集中在王筠对《说文》“六书”体例的阐释及其对“分别文”、“累增字”等概念的研究上，对于王筠“谐声”理论的专门研究比较薄弱，也没有将其理论置于整个“谐声”研究历史中的观察。在研究材料上，，对《说文句读》重视不够，没有对其全面系统的整理。因此，为方便充分利用《说文句读》，我们将其数字化，建立了《说文》系列数据库，从而能够更准确、全面的提取相关信息，为研究工作提供完整、准确的材料。王筠全面、系统的整理、总结了《说文》“谐声”体例，深入研究了“亦声”、“省声”、“一全一省”、“两借”、“以双声字为声”等特殊体例。此外王筠还继承“右文说”等文字学研究成果，从字义孳乳的角度提出“分别文”、“累增字”等概念，开创了对“谐声”进行纵向、历时研究的新局面。王氏的“谐声”研究在当时是超越前人、富于远见的，极大的推动了“谐声”研究的发展，为“六书”理论研究的进步做出了不可替代的贡献。本文将王筠的“谐声”观念和汉代许慎，宋代王安石、王圣美、戴侗，清代段玉裁的“谐声”观念进行了对比研究，全面梳理了“谐声”研究的发展脉络。并综合分析了王氏之后刘师培、沈兼士、刘又辛和孙雍长等人对“谐声”研究的发展以及王筠对他们的影响，总结了王筠在整个“谐声”研究历史上的贡献和地位。
[Abstract]:Wang Yun is one of the four most important literary works in Qing Dynasty. Wang Yun's literary philosophy is embodied in Shuowen's interpretation of the text. The book not only gives a detailed and systematic explanation of Xu Shen's "six Books", but also puts forward a lot of original philological theories and concepts. For example, "separate text" and "accumulation of characters" are all unnoticed phenomena of philology. Not only does Shuowen sentence read from Duan Yu, Yan Ke du, Gui Fu three strong points, but also reflects many Wang's unique ideas of philology. Therefore, the study of Wang Yun's literary theory needs to cross-reference the two books and complement each other. The former studies on Wang Yun's literary theory are mainly focused on Wang Yun's interpretation of the style of "Shuoxue" and his research on the concepts of "separate text" and "accumulation of characters", but the special research on Wang Yun's theory of "harmony and sound" is relatively weak. Nor does it place its theory in the whole history of harmonic research. In the research material, not enough attention is paid to Shuo Wen sentence Reading, and it has not been sorted out in a comprehensive and systematic way. Therefore, in order to make full use of Shuo Wen sentence Reading, we digitize it and set up a series of database, which can extract relevant information more accurately and comprehensively, and provide complete and accurate materials for the research work. Wang Yun's comprehensive and systematic arrangement summarizes the style of "harmonic sound" in Shuo Wen, and studies in depth the special ways of "also sound", "saving sound", "one whole and one province", "two loans", "taking double sound as sound" and so on. In addition, Wang Yun inherits the research achievements of philology such as "right text theory" and puts forward the concepts of "separate text" and "accumulation of characters" from the angle of meaning development, thus creating a new situation of vertical and diachronic research on "harmonic sound". At that time, Wang's study of "harmonic sound" surpassed the predecessors and was full of foresight and greatly promoted the development of the study of "harmonic sound", and made an irreplaceable contribution to the progress of the theoretical study of "six Books". This paper compares Wang Yun's concept of "harmonic sound" with that of Xu Shen, Song Dynasty Wang Anshi, Wang Shengmei, Dai Dong and Duan Yuzai of Han Dynasty, and combs the development of "harmonic sound" in an all-round way. It also comprehensively analyzes the development of Liu Shipei, Shen Jianshi, Liu Youxin and Sun Yongchang, and the influence of Wang Yun on them, and summarizes Wang Yun's contribution and position in the whole history of "harmonic sound" research.
【学位授予单位】：华中科技大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：H122;H161

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