论新时期以来苏北小说家的地域文化书写

发布时间：2018-06-15 08:05

本文选题：地域文化 + 苏北　；参考：《东北师范大学》2017年硕士论文

【摘要】：地域文化,包涵一定地域的自然风貌、风习传统、历史文化等方面因素,涵盖一定地理空间的个性表征和人文发展规律。文学中的地域文化因素有时隐蔽、有时显著,潜移默化地影响作家的品性气质、行为操守和审美追求,进而孕育出属于特定地域的创作流派和作家群体。苏北地域文化作为江苏版图的“异数”,曾长期隐于苏南的光环之后,新时期伊始,伴随着学界对“边缘文学”的发掘,苏北独特的地域风情开始引发关注。越来越多的本土作家立足于地域文化的展演视角,既着力于江南之北的地理空间建构,又在因循代际差异的背景下呈现不同时代的个性化、立体化苏北,从而在时空交融的基础上实现苏北世界的人地互动以及向多元地缘文化的突围,显现出前所未有的地域开放性和包容性。本文以新时期以来苏北小说家的地域文化书写为研究对象,深入探究八十年代、九十年代、新世纪三个时期苏北世界与作家创作的关系。论文第一章围绕苏北地域及其文化品格、苏北地域文化与苏北小说家创作两部分展开,先是运用文学地理学方法梳理了苏北的历史发展,并在此基础上分点介绍了苏北地域文化的特征;接着从文学史的角度呈现各个时期的苏北作家及其文学成就,并重点分析随着时间的流变,新时期以来苏北小说家的审美选择。论文的第二章从古典、野趣、传奇等关键词切入,八十年代的文坛刚从政治藩篱中走出,生动自由的小说书写模式形成热潮,以汪曾祺、曹文轩、赵本夫为代表的苏北作家立足寓言式温情的叙述风格,围绕水墨风貌、轻喜剧式的婚丧俗、富情趣的方言等角度呈现苏北市井乡民的人生百态,是诗性的乡土谣和风俗挽歌。论文的第三章以九十年代变革的现代化为背景,中国社会尤其是边缘城乡正在经历着前所未有的权力和信仰危机,苏北作家从家族的、历史的角度诠释被压抑的民间和被损害的生命,于爱恨交织的地域情感中见证封闭地域的反叛和逃离。这一时期的苏北小说家以赵本夫、毕飞宇为代表。论文的第四章重点分析了新世纪以来苏北小说家的地域文化书写的创新点和当下意义。结合多元地域文化联系加强的背景和“流寓”写作的文化多样性影响特征,一方面分析了新世纪苏北作家的原乡文化呈现,另一方面也提出了作家的单一地域认同危机,从而实现苏北封闭地域及本籍作家创作的双线突围。综之,站在共时性、历时性的视野中研究新时期以来苏北小说家的地域文化书写,将地域文化与文学的关系从整体、宏观的角度推进到个体、微观的层面,为封闭地理空间融入人地互动的多元文化因质,对展现苏北风情、完善江苏地域文学版图、充实现代文学史的“边缘文学”意义重大。
[Abstract]:Regional culture includes the natural features of certain regions, customs and traditions, historical and cultural factors, including the personality of a certain geographical space and the law of human development. The factors of regional culture in literature are sometimes hidden, sometimes remarkable, and have a subtle influence on the writers' temperament, conduct and aesthetic pursuit, thus giving birth to creative schools and writers' groups belonging to a specific region. As the "different number" of Jiangsu's territory, the regional culture of northern Jiangsu had long hidden in the aura of southern Jiangsu. At the beginning of the new period, with the discovery of "marginal literature" by academic circles, the unique regional customs of northern Jiangsu began to arouse attention. More and more local writers based on the angle of view of regional culture, not only focus on the construction of geographical space in the north of the Yangtze River, but also present the individuation of different times under the background of intergenerational differences, and make the north of Jiangsu three-dimensional. On the basis of the blending of time and space, the interaction between people and land in the north of Jiangsu Province and the breakthrough to the pluralistic geographical culture show unprecedented regional openness and inclusiveness. This paper takes the writing of the regional culture of the novelists in northern Jiangsu Province as the research object, and probes into the relationship between the world of northern Jiangsu and the writers' creation in the 1980s, 1990s and the new century. The first chapter focuses on the region of northern Jiangsu and its cultural character, the regional culture of northern Jiangsu and the creation of novelists in northern Jiangsu. First, it combs the historical development of northern Jiangsu with the method of literary geography. On this basis, this paper introduces the characteristics of the regional culture in Northern Jiangsu, and then presents the writers and their literary achievements in each period from the perspective of literary history, and analyzes emphatically the aesthetic choice of the novelists in Northern Jiangsu since the new period with the development of time. The second chapter of the paper from classical, wild interest, legend and other key words cut into the 1980s literary world has just come out of political barriers, vivid and free novel writing mode formed upsurge, with Wang Cengqi, Cao Wenxuan, Zhao Benfu's representative writers in northern Jiangsu based on the fable warmth of narrative style, around the style of ink and ink, light comedy style of marriage and funeral customs, rich in interesting dialects and other angles to present the life of northern Jiangsu townspeople, is a poetic local ballad and custom elegy. The third chapter takes the modernization of the 1990s as the background. Chinese society, especially the marginal urban and rural areas, is experiencing an unprecedented crisis of power and belief. The historical perspective interprets the suppressed folk and the damaged life, witness the rebellion and escape of the closed region in the love-hate intertwined regional emotion. In this period, the novelists of northern Jiangsu were represented by Zhao Benfu and Bi Feiyu. The fourth chapter focuses on the innovation and current significance of the regional culture writing of the novelists in Northern Jiangsu Province since the new century. Combined with the background of strengthening the multi-regional cultural connection and the cultural diversity influence characteristics of "Liu Yu" writing, on the one hand, it analyzes the native culture of the writers in the north of Jiangsu Province in the new century, on the other hand, it also puts forward the crisis of the writer's single regional identity. In order to realize the closed area of northern Jiangsu and the author's creation of double-line breakthrough. From the perspective of synchronic and diachronic research on the writing of the regional culture of the novelists in northern Jiangsu since the new period, the relationship between regional culture and literature has been promoted from the overall and macroscopic perspective to the individual and micro level. In order to close the geographical space and integrate the multi-culture of human-land interaction, it is of great significance to show the customs of northern Jiangsu, perfect the territory of Jiangsu regional literature, and enrich the "marginal literature" in the history of modern literature.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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