现实诗辨与诗性正义——论诗歌的现实感与当代经验

发布时间：2018-06-16 07:02

  本文选题：社会剧变 + 爱默生　； 参考：《南方文坛》2017年05期

【摘要】：正任何人都不拥有这片风景。在地平线上有一种财产无人可以拥有,除非此人的眼睛可以使所有这些部分整合成一体,这个人就是诗人。——爱默生社会剧变提供了新的时代景观,新媒体和自媒体催生的诗歌现场正在诗歌生态、内部机制和动力体统上发生着震荡。与此相应,有一个疑问也正在加深——物化主义、经济利益、消费阅读的支配法则下诗人应该经由词语建构的世界对谁说话和发声?这与歌德的自传《诗与真》以及西蒙娜·薇依在1941年夏天所吁求的作家要对时代的种种不幸负责发生了切实地呼应。毋庸置疑,诗人通过个人化的历史想象力、求真
[Abstract]:No one has the view. There is a property on the horizon that no one can own, unless one's eyes are able to integrate all these parts into one, the poet. -Emerson 's social upheaval provides a new landscape of the times. New media and poetry born from the media are in the poetic ecology, internal mechanism and dynamic system are shaking. Accordingly, there is a growing question of who the poet should speak and speak to through the world constructed by words under the rules of materialism, economic interests, and consumption and reading. This echoes Goethe's autobiography Poems and Truth and Simone Vivian's call in the summer of 1941 for a writer to be responsible for the misfortunes of his time. There is no doubt that poets seek truth through their personal historical imagination
【作者单位】： 中国作家协会创研部;首都师范大学中国诗歌研究中心;
【分类号】：I207.2
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本文编号：2025819