论刘恒小说叙事空间的选择及意义

发布时间：2018-06-21 12:39

本文选题：刘恒 + 乡土空间　；参考：《广西民族大学》2015年硕士论文

【摘要】：刘恒是上世纪八九十年代“新写实小说”的重镇,他从七十年代末期开始小说创作,秉持个人独立书写立场。然而,随着激情而多变的八十年代的如期而至,曾独尊一隅的极左政治话语悄然冰释,刘恒便改为以写实的姿态介入八十年代“新时期”历史。全球商品化的来袭,在某种程度上烛照了“新时期”启蒙主流文学的一体化话语霸权,随之政治、文学等各种话语产生冲突、裂变,传统的文学及社会格局被迫进行重组,且文学与当下各种思想话语不断对话、交锋。身为知识分子的刘恒正是在这样复杂的历史语境中,不断转换文学叙事空间,建构中国现代化进程,参与现代化“民族国家”共同体的集体想象。本文运用空间批评理论将刘恒两个时期、两种主题——乡土与城市叙事整合起来,将研究放回历史场域去做一个全面考察。通过剖析刘恒小说创作叙事空间的转向、选择及意义,展现城乡之间的巨大张力,呈现九十年代社会剧烈转型的历史语境中,知识分子反思时代所显示出对主体价值的坚守、出离或重构的复杂精神,进而探寻转型期知识分子内心隐含的一种现代性焦虑、城乡历史记忆断裂和对中国文化“共同体”的集体想象。
[Abstract]:Liu Heng is the center of "New realistic novels" in 1980s and 1990s. He began to write novels in the late seventies and took the stand of individual writing independently. However, with the unexpected arrival of the passionate and changeable 1980s and the quiet interpretation of the extreme left political discourse, Liu Heng became involved in the history of the "new era" of the 1980s with a realistic attitude. The commoditization of the world, to a certain extent, illuminated the unified discourse hegemony of the mainstream literature of enlightenment in the "new period". With it, various discourses such as politics, literature and other discourses came into conflict, fission, and the traditional literature and social pattern were forced to be reorganized. And literature and the current various ideological discourse constantly dialogue, confrontation. It is in such a complicated historical context that Liu Heng, as an intellectual, constantly transforms the narrative space of literature, constructs the process of Chinese modernization, and participates in the collective imagination of the modern "nation-state" community. This paper applies the theory of spatial criticism to integrate the two periods of Liu Heng, the two themes, local land and urban narration, and put the research back into the historical field to make a comprehensive investigation. By analyzing the turn, choice and significance of the narrative space of Liu Heng's novel creation, showing the great tension between urban and rural areas, and presenting the historical context of the violent social transformation in the 1990s, the intellectual introspection era shows its adherence to the subject value. From the complex spirit of separation or reconstruction, this paper explores a kind of modernity anxiety implied by intellectuals in the transition period, the rupture of urban and rural historical memory and the collective imagination of the "community" of Chinese culture.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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