“80后”长篇小说研究
发布时间：2018-12-17 02:42
【摘要】：“80后”长篇小说创作是中国当代文学发展到新世纪以来的一种重要的创作现象。在十几年的创作、发展过程中，出现了韩寒、郭敬明、张悦然、笛安、颜歌、林培源、甫跃辉、郑小驴、孙频、马金莲等多位小说家，产生了青春写作、商业写作、严肃文学写作等多种小说创作类型。“80后”长篇小说数量较大，风格多样，十几年来一直受到评论界的关注。“80后”长篇小说是新世纪文学的一股重要创作力量，对其进行分析和研究既具有接续中国当代文学史的意义，也是当代文学研究者的使命。本论文即以“80后”长篇小说为研究对象，采用文本细读的方法，结合一定的文艺理论和社会学研究数据，对“80后”长篇小说文本进行了解读。 本论文主体部分分为五章。第一章从“80后”长篇小说产生背景分析入手，分别研究了“80后”长篇小说产生的社会、时代背景，文学生产背景和文化语境背景，指出“80后”长篇小说产生于变革的背景之中。第二章分析了“80后”长篇小说以青春写作出场的方式和主要创作流变，即从青春写作到商业化写作，从商业化写作再到严肃文学写作的三个阶段与两次转型。第三章主要阐释了“80后”长篇小说中人物形象自我主体凸显的突出特点，分析了人物形象自我主体凸显的理论含义，指明了形象自我主体凸显的三种表达方式，并对这种相对于“大我”而言的“自我”主体凸显进行了创作反思。第四章从成长、历史和现实困境三个方面分析了“80后”长篇小说多样化的叙事主题。第五章主要分析“80后”长篇小说的艺术特色，从艺术形式、回忆性叙事和影像化叙事等角度探究“80后”长篇小说在艺术表现方式上呈现出的独特审美特质。论文最后的结语部分，对“80后”长篇小说提供的独特审美价值和存在的创作局限进行了简单的总结。 本论文在研究对象中收录了最新的“80后”长篇小说，同时关注到了几位近年来刚刚被文坛关注的青年作家，从总体上对“80后”长篇小说的创作流变和审美特质进行了分析，既有文本内部的创作主题、艺术特色等方面的研究，也有从文学外部对“80后”长篇小说创作背景的研究。在研究对象上，突破了以往研究中单纯以青春写作或严肃文学写作为研究对象的局限；在研究方法上，突破了单纯文学研究的路径，借鉴了社会学等学科的研究成果，实现了对“80后”长篇小说在代际视域下的整体性研究。
[Abstract]:The creation of novels after the 1980s is an important phenomenon in the development of Chinese contemporary literature into the new century. In the course of more than ten years of creation and development, many novelists, such as Han, Guo Jingming, Zhang Yuelan, Dei'an, Yan GE, Lin Peiyuan, Fu Yuehui, Zheng Xiaotou, Sun Fong, Ma Jinlian, and other novelists, have produced youth writing, business writing, etc. Serious literary writing and other types of novel creation. The "post-80s" novel is a large number of, diverse styles, has been the focus of critics for more than ten years. "after 80" novel is an important creative force in the new century literature. The analysis and research not only has the significance of following the history of Chinese contemporary literature, but also is the mission of contemporary literature researchers. In this paper, the "after 80s" novel as the object of study, using the method of text reading, combined with certain literature and art theory and sociological research data, the text of "after 80" novels were interpreted. The main part of this paper is divided into five chapters. The first chapter begins with the analysis of the background of the generation of the novel, and studies the social, contemporary, literary and cultural background of the generation of the novel. It is pointed out that the novels of the post-80s are born in the background of change. In the second chapter, the author analyzes the appearance of the novel in the form of youth writing and its main creative changes, that is, the three stages and two transformations from youth writing to commercial writing, from commercialized writing to serious literary writing. The third chapter mainly explains the prominent characteristics of the main body of the character image in the novel "after 80", analyzes the theoretical meaning of the self-highlighting of the character image, and points out the three ways of expression of the self-subjectivity of the image. And this kind of "self" main body protruding in comparison with the "Big self" is reflected in creation. Chapter four analyzes the narrative themes of the novel from three aspects: growth, history and realistic predicament. The fifth chapter mainly analyzes the artistic characteristics of the "post-80s" novels, and explores the unique aesthetic characteristics of the "post-80s" novels in terms of artistic forms, reminiscent narration and image narration. The last part of the thesis summarizes the unique aesthetic value and the limitations of the novel. In this paper, the latest novels of "post-80s" have been collected in the research object, and several young writers who have been paid close attention to in recent years have been paid close attention to, and the evolution and aesthetic characteristics of "post-80s" novels have been analyzed as a whole. There are not only the internal theme and artistic characteristics of the text, but also the literary external research on the creation background of the post-80s novel. On the object of study, it breaks through the limitation of the previous research that only take the youth writing or the serious literature writing as the research object; In terms of research methods, it breaks through the path of pure literature research, draws lessons from the research results of sociology and other disciplines, and realizes the holistic study of "post-80s" novels from the perspective of intergenerational perspective.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
本文编号：2383512
[Abstract]:The creation of novels after the 1980s is an important phenomenon in the development of Chinese contemporary literature into the new century. In the course of more than ten years of creation and development, many novelists, such as Han, Guo Jingming, Zhang Yuelan, Dei'an, Yan GE, Lin Peiyuan, Fu Yuehui, Zheng Xiaotou, Sun Fong, Ma Jinlian, and other novelists, have produced youth writing, business writing, etc. Serious literary writing and other types of novel creation. The "post-80s" novel is a large number of, diverse styles, has been the focus of critics for more than ten years. "after 80" novel is an important creative force in the new century literature. The analysis and research not only has the significance of following the history of Chinese contemporary literature, but also is the mission of contemporary literature researchers. In this paper, the "after 80s" novel as the object of study, using the method of text reading, combined with certain literature and art theory and sociological research data, the text of "after 80" novels were interpreted. The main part of this paper is divided into five chapters. The first chapter begins with the analysis of the background of the generation of the novel, and studies the social, contemporary, literary and cultural background of the generation of the novel. It is pointed out that the novels of the post-80s are born in the background of change. In the second chapter, the author analyzes the appearance of the novel in the form of youth writing and its main creative changes, that is, the three stages and two transformations from youth writing to commercial writing, from commercialized writing to serious literary writing. The third chapter mainly explains the prominent characteristics of the main body of the character image in the novel "after 80", analyzes the theoretical meaning of the self-highlighting of the character image, and points out the three ways of expression of the self-subjectivity of the image. And this kind of "self" main body protruding in comparison with the "Big self" is reflected in creation. Chapter four analyzes the narrative themes of the novel from three aspects: growth, history and realistic predicament. The fifth chapter mainly analyzes the artistic characteristics of the "post-80s" novels, and explores the unique aesthetic characteristics of the "post-80s" novels in terms of artistic forms, reminiscent narration and image narration. The last part of the thesis summarizes the unique aesthetic value and the limitations of the novel. In this paper, the latest novels of "post-80s" have been collected in the research object, and several young writers who have been paid close attention to in recent years have been paid close attention to, and the evolution and aesthetic characteristics of "post-80s" novels have been analyzed as a whole. There are not only the internal theme and artistic characteristics of the text, but also the literary external research on the creation background of the post-80s novel. On the object of study, it breaks through the limitation of the previous research that only take the youth writing or the serious literature writing as the research object; In terms of research methods, it breaks through the path of pure literature research, draws lessons from the research results of sociology and other disciplines, and realizes the holistic study of "post-80s" novels from the perspective of intergenerational perspective.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42
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