奥斯卡评奖机制下最佳影片与提名影片比较研究
发布时间：2018-11-05 18:17
【摘要】：奥斯卡金像奖的评选作为影坛盛事备受世界瞩目,从对好莱坞电影工业的单一神经到如今成为世界电影产业的发展方向,其评选机制的运行与艺术价值的考量已然成为世界范围内电影产业的风向标,奥斯卡的艺术之光也尽其所能辐射到所有致力于电影产业发展的国度。奥斯卡金像奖自设立以来,最佳影片奖无疑是诸多奖项中是最具含金量的奖项。从入围初选到颁奖之时的最佳与提名之分,提名中有重在参与的陪跑影片也有实力相当的优秀作品。经过残酷投票,新鲜出炉的最佳影片往往还是有口碑保障的。为了探究最佳影片的艺术魅力,对其艺术标准的深入分析。因此,我们立足于奥斯卡评选机制下最佳影片与提名影片的比较研究,进行对比阐明奥斯卡最佳影片独特的艺术价值、核心竞争力和美学尺度。当前国内外学者对奥斯卡金像奖的研究往往聚焦在获奖影片的分析,忽略提名影片的存在就容易出现研究过于片面化的问题,于是大众对奥斯卡艺术的理解滞于表面。深刻思辨奥斯卡艺术的精神内蕴,具体而言就是更为系统化地审视最佳影片这一奖项的评选。笔者围绕奥斯卡评奖机制,从影片内在主题与外在表现形式作为对比重点,并结合受众在票房上的反馈对评奖机制的运行背景再作补充。笔者更希望在奥斯卡艺术精神的探索中对中国电影产业实现全球化的发展提供参考。我国电影市场日益繁荣,但繁荣背后真正的赢家少之又少。本项研究对于提升中国电影质量,增强国家文化软实力提供了可行性策略。中国电影对商业利益大肆开掘,很多作品习惯于对观众的浅表观影进行刺激,种种乱象导致中国电影的生态环境日趋恶劣。而奥斯卡的成功之道则是坚守人文关怀,进而实现商业与艺术并重,国产电影发展亟需借鉴其成功之道。第一部分:对奥斯卡金像奖的评奖机制进行全方位的梳理,将其中各个评奖环节以及人员构成等多个方面来解读奥斯卡金像奖,其中最佳影片与提名影片的对比则集中在提名与获奖的频率上。第二部分:结合代表性作品进行最佳影片与提名影片的比较,首先从最为明显的影片的主题进行对比,再结合影片的叙事、表演、镜头语言等其他方面进行比较,该部分作为研究重点。第三部分:奥斯卡最佳影片与提名影片的票房比较,从商业价值的层面讨论二者的差异性,再从受众角度来分析最佳与提名的差距所在。第四部分:对奥斯卡金像奖的提名机制进行反思。奖项的评选向来受到各方的影响,那么在获奖结果公布前后的受众反应、营销策略等来看评选机制的利与弊。第五部分:结语。
[Abstract]:The selection of the Academy Awards has attracted the attention of the world as a film event. From a single nerve to a single nerve in the Hollywood film industry, it has become the development direction of the world film industry. The operation of its selection mechanism and the consideration of its artistic value have become the vane of the film industry all over the world. The Oscar's light of art also radiates to all the countries devoted to the development of the film industry as much as it can. Best Picture has been the most prestigious of all awards since the Academy Awards were set up. From the shortlist to the award, the best and the nominated, the nominees are the most involved running films and the most powerful works. After a brutal vote, the best new film is often guaranteed word of mouth. In order to explore the artistic charm of the best film, the art standards of the in-depth analysis. Therefore, based on the comparative study of best picture and nominated film under the Oscar selection mechanism, we compare and clarify the unique artistic value, core competitiveness and aesthetic scale of Oscar best picture. At present, scholars at home and abroad tend to focus on the analysis of the Oscar awards, ignoring the existence of nominated films, it is easy to appear the problem of one-sided research, so the public understanding of the art of Oscar lags behind the surface. The spiritual connotation of deliberative Oscar art is to examine the award of best picture more systematically. The author focuses on the Oscar mechanism from the internal theme of the film and the external form of expression as the focus and combined with the audience feedback on the box office to supplement the operating background of the mechanism. The author hopes to provide reference for the development of globalization of Chinese film industry in the exploration of Oscar art spirit. China's film market is booming, but there are few real winners behind it. This study provides a feasible strategy for improving the quality of Chinese films and enhancing the soft power of national culture. The commercial interests of Chinese films are greatly explored, and many works are used to stimulate the audience's superficial view, which leads to the deterioration of the ecological environment of Chinese films. The way of Oscar's success is to stick to humanistic care, and then to realize both business and art, the development of domestic films needs to learn from its successful way. The first part: comb the mechanism of the Oscar awards in all directions, and interpret the Academy Awards from various aspects, such as the award evaluation links and the composition of the staff. The contrast between best picture and nominated film focuses on the frequency of nomination and award. The second part: combining the representative works to compare the best film and the nominated film, first from the most obvious film theme comparison, then combined with the film narrative, performance, lens language and other aspects of comparison, This part is the focus of the research. The third part: the box office comparison between Oscar best picture and nominated film, discusses the difference between them from the aspect of commercial value, and then analyzes the gap between best film and nomination from the perspective of audience. Part four: reflect on the nomination mechanism of Oscar. Award selection has always been affected by all parties, so the audience reaction before and after the announcement of the award results, marketing strategies and so on to see the advantages and disadvantages of the selection mechanism. Part V: conclusion.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2312940
[Abstract]:The selection of the Academy Awards has attracted the attention of the world as a film event. From a single nerve to a single nerve in the Hollywood film industry, it has become the development direction of the world film industry. The operation of its selection mechanism and the consideration of its artistic value have become the vane of the film industry all over the world. The Oscar's light of art also radiates to all the countries devoted to the development of the film industry as much as it can. Best Picture has been the most prestigious of all awards since the Academy Awards were set up. From the shortlist to the award, the best and the nominated, the nominees are the most involved running films and the most powerful works. After a brutal vote, the best new film is often guaranteed word of mouth. In order to explore the artistic charm of the best film, the art standards of the in-depth analysis. Therefore, based on the comparative study of best picture and nominated film under the Oscar selection mechanism, we compare and clarify the unique artistic value, core competitiveness and aesthetic scale of Oscar best picture. At present, scholars at home and abroad tend to focus on the analysis of the Oscar awards, ignoring the existence of nominated films, it is easy to appear the problem of one-sided research, so the public understanding of the art of Oscar lags behind the surface. The spiritual connotation of deliberative Oscar art is to examine the award of best picture more systematically. The author focuses on the Oscar mechanism from the internal theme of the film and the external form of expression as the focus and combined with the audience feedback on the box office to supplement the operating background of the mechanism. The author hopes to provide reference for the development of globalization of Chinese film industry in the exploration of Oscar art spirit. China's film market is booming, but there are few real winners behind it. This study provides a feasible strategy for improving the quality of Chinese films and enhancing the soft power of national culture. The commercial interests of Chinese films are greatly explored, and many works are used to stimulate the audience's superficial view, which leads to the deterioration of the ecological environment of Chinese films. The way of Oscar's success is to stick to humanistic care, and then to realize both business and art, the development of domestic films needs to learn from its successful way. The first part: comb the mechanism of the Oscar awards in all directions, and interpret the Academy Awards from various aspects, such as the award evaluation links and the composition of the staff. The contrast between best picture and nominated film focuses on the frequency of nomination and award. The second part: combining the representative works to compare the best film and the nominated film, first from the most obvious film theme comparison, then combined with the film narrative, performance, lens language and other aspects of comparison, This part is the focus of the research. The third part: the box office comparison between Oscar best picture and nominated film, discusses the difference between them from the aspect of commercial value, and then analyzes the gap between best film and nomination from the perspective of audience. Part four: reflect on the nomination mechanism of Oscar. Award selection has always been affected by all parties, so the audience reaction before and after the announcement of the award results, marketing strategies and so on to see the advantages and disadvantages of the selection mechanism. Part V: conclusion.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
【参考文献】
相关期刊论文 前2条
1 王丹丹;;奥斯卡艺术中的低碳叙事美学[J];青年记者;2015年08期
2 苏月奂;;奥斯卡影像的表意形式构图[J];青年记者;2014年02期
，本文编号：2312940
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