晋中传统民居窗棂艺术研究
发布时间：2018-11-22 06:13
【摘要】：随着中国城市化进程不断加快,钢筋混凝土结构的高楼大厦拔地而起,愈来愈趋于平庸化、大众化的建筑毫无区域特色可言,城市与城市之间的建筑不但少有显著差别,就连南北方的建筑也再没有了传统意义上的区分。独树一帜的中国传统建筑遗失殆尽,依托于传统建筑之上的建筑装饰,更是失去了其生存环境。二十一世纪的中国经济飞速发展,人们在满足物质生活的同时,对精神生活的要求不断提高,在一些现代设计中,窗棂成为了体现传统建筑文化的装饰符号,寄托着人们对中国传统建筑的追思。在传统建筑及其装饰艺术逐渐成为一种文化记忆及情怀寄托的今天,笔者试图通过对窗棂艺术形式的研究,挖掘其中所蕴含的审美特征及人文内涵,这不仅仅是现代设计应该吸取和秉承的设计理念,而且是每一个中国人应该了解的民族文化内涵。本文共分为三个部分,第一部分是绪论,针对本选题的选题依据、研究目标与内容、研究创新点及方法、选题相关概念界定以及文献综述等进行阐述说明。第二部分是文章正文部分,主要是在对前期文献资料及田野调查内容进行梳理、分析的基础上,对晋中传统民居窗棂的艺术表现特点进行研究,从而挖掘出其中所蕴含的审美特征及人文内涵。正文部分共分为五章:第一章主要是对晋中传统民居窗棂的概述,包括晋中传统民居形式以及窗的形制、中国传统建筑窗棂的历史追溯以及晋中传统民居窗棂的形成背景三个小节;第二章主要论述了晋中传统民居窗棂的题材分类及寓意;第三章主要是对晋中传统民居窗棂的艺术表现特点进行归纳分析,分别对窗棂的工艺技巧、构图形式及窗棂主体形象的造型特征进行论述;第四章是比较视野下的晋中传统民居窗棂,主要是将晋中传统民居窗棂与不同建筑类型、不同地区民居窗棂进行比较研究,以期在比较中找出晋中传统民居窗棂的独特之处;第五章是在晋中传统民居窗棂艺术形式及比较研究的基础上,总结出其中所蕴含的人文内涵及审美特征。第三部分是论文的结论部分,主要是从整体上归纳论文的研究成果,研究晋中传统民居窗棂千变万化的艺术形式是基础性研究,只有深入到传统文化结构的层面,挖掘其内在精神特质,才能使传统艺术在现代设计中得到灵活运用,才能使传统艺术的精髓得以传承。
[Abstract]:As China's urbanization continues to accelerate, the reinforced concrete structure of high-rise buildings, more and more mediocre, popular buildings have no regional characteristics to speak of, cities and cities between buildings not only have a significant difference. Even the north and south of the building no longer have a traditional sense of distinction. The unique Chinese traditional architecture has been lost, and the architectural decoration based on the traditional architecture has lost its living environment. With the rapid development of China's economy in the 21 century, people meet the requirements of spiritual life while satisfying the material life. In some modern designs, the window lattice has become the decorative symbol of the traditional architectural culture. Reposing people's thoughts on Chinese traditional architecture. With the traditional architecture and its decorative art gradually becoming a kind of cultural memory and emotion, the author tries to explore the aesthetic characteristics and humanistic connotation of the traditional architecture through the study of the art form of the window lattice. This is not only the modern design should absorb and uphold the design concept, but also every Chinese should understand the national cultural connotation. This paper is divided into three parts. The first part is the introduction. It explains the basis of this topic, research objectives and contents, research innovation points and methods, the definition of related concepts and literature review. The second part is the text of the article, mainly in the early literature and field survey content combing, on the basis of the analysis of the traditional Jinzhong traditional residential window lattice art performance characteristics are studied. In order to dig out the aesthetic characteristics and humanistic connotations contained therein. The text is divided into five chapters: the first chapter is a summary of the window lattice of the traditional residence in Jinzhong, including the form of the traditional residence in Jinzhong and the shape of the window. The historical trace of the window lattice of Chinese traditional architecture and the background of the formation of the window lattice of the traditional folk house in Jinzhong; The second chapter mainly discusses the theme classification and implication of the window lattice of the traditional folk house in Jinzhong. The third chapter is to summarize and analyze the artistic expression characteristics of the traditional residential windows in Jinzhong, respectively to discuss the technological skills of the window lattice, the form of composition and the shape characteristics of the main image of the window lattice. The fourth chapter is a comparative study of the window lattice of the traditional residence in Jinzhong, which mainly compares the window lattice of the traditional residence in Jinzhong with the different architectural types and different areas, in order to find out the unique features of the window lattice in the traditional residence in Jinzhong. The fifth chapter summarizes the humanistic connotation and aesthetic characteristics of the traditional folk house in Jinzhong on the basis of its artistic form and comparative study. The third part is the conclusion of the paper, mainly from the overall summary of the research results, the study of the traditional folk houses in Jinzhong changing art form is the basic research, only go deep into the level of the traditional cultural structure. Only by excavating its inner spiritual characteristics can traditional art be used flexibly in modern design and the essence of traditional art be passed on.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU-80;TU241.5
本文编号：2348325
[Abstract]:As China's urbanization continues to accelerate, the reinforced concrete structure of high-rise buildings, more and more mediocre, popular buildings have no regional characteristics to speak of, cities and cities between buildings not only have a significant difference. Even the north and south of the building no longer have a traditional sense of distinction. The unique Chinese traditional architecture has been lost, and the architectural decoration based on the traditional architecture has lost its living environment. With the rapid development of China's economy in the 21 century, people meet the requirements of spiritual life while satisfying the material life. In some modern designs, the window lattice has become the decorative symbol of the traditional architectural culture. Reposing people's thoughts on Chinese traditional architecture. With the traditional architecture and its decorative art gradually becoming a kind of cultural memory and emotion, the author tries to explore the aesthetic characteristics and humanistic connotation of the traditional architecture through the study of the art form of the window lattice. This is not only the modern design should absorb and uphold the design concept, but also every Chinese should understand the national cultural connotation. This paper is divided into three parts. The first part is the introduction. It explains the basis of this topic, research objectives and contents, research innovation points and methods, the definition of related concepts and literature review. The second part is the text of the article, mainly in the early literature and field survey content combing, on the basis of the analysis of the traditional Jinzhong traditional residential window lattice art performance characteristics are studied. In order to dig out the aesthetic characteristics and humanistic connotations contained therein. The text is divided into five chapters: the first chapter is a summary of the window lattice of the traditional residence in Jinzhong, including the form of the traditional residence in Jinzhong and the shape of the window. The historical trace of the window lattice of Chinese traditional architecture and the background of the formation of the window lattice of the traditional folk house in Jinzhong; The second chapter mainly discusses the theme classification and implication of the window lattice of the traditional folk house in Jinzhong. The third chapter is to summarize and analyze the artistic expression characteristics of the traditional residential windows in Jinzhong, respectively to discuss the technological skills of the window lattice, the form of composition and the shape characteristics of the main image of the window lattice. The fourth chapter is a comparative study of the window lattice of the traditional residence in Jinzhong, which mainly compares the window lattice of the traditional residence in Jinzhong with the different architectural types and different areas, in order to find out the unique features of the window lattice in the traditional residence in Jinzhong. The fifth chapter summarizes the humanistic connotation and aesthetic characteristics of the traditional folk house in Jinzhong on the basis of its artistic form and comparative study. The third part is the conclusion of the paper, mainly from the overall summary of the research results, the study of the traditional folk houses in Jinzhong changing art form is the basic research, only go deep into the level of the traditional cultural structure. Only by excavating its inner spiritual characteristics can traditional art be used flexibly in modern design and the essence of traditional art be passed on.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU-80;TU241.5
【参考文献】
相关期刊论文 前8条
1 桑永亮;;论传统窗棂艺术在现代室内设计中的表现形式[J];艺海;2014年12期
2 王宝军;;浅论传统窗棂图案在室内装饰设计中的运用[J];美与时代(上);2014年11期
3 彭敏;;探析中国传统窗棂装饰图案的现代融合[J];现代装饰(理论);2014年06期
4 姜明媚;;中国传统视觉元素——窗棂在现代室内设计中的应用与研究[J];戏剧之家(上半月);2013年11期
5 卓娜;;福建民居三坊七巷的装饰木雕艺术[J];南京工程学院学报(社会科学版);2010年03期
6 许蕾;;乡土建筑中的户牖装饰[J];室内设计;2008年02期
7 陈婷;;闽北古民居建筑装饰文化初探[J];艺苑;2006年08期
8 朱伟,吴叶红,郭鑫;浅谈传统园林中的漏窗[J];建筑知识;2005年01期
相关博士学位论文 前1条
1 李琰君;陕西关中地区传统民居门窗研究[D];西安建筑科技大学;2011年
相关硕士学位论文 前10条
1 姜明媚;中国传统视觉元素—窗棂在现代室内设计中的应用与研究[D];燕山大学;2014年
2 张兰侠;山西皇城相府门窗装饰艺术与文化特征研究[D];东北林业大学;2014年
3 滕秀夫;传统园林建筑中窗棂纹饰在现代室内设计中的运用[D];扬州大学;2013年
4 尹慧青;从有限到无限[D];江南大学;2009年
5 陈鑫;苏州古典园林的洞门花窗造型艺术研究[D];苏州大学;2008年
6 马莎;建筑构件从技术性向艺术性转化过程的探究[D];太原理工大学;2008年
7 李艳华;简论传统匾额的社会功能与文化价值[D];重庆师范大学;2008年
8 宁小卓;闽南蔡氏古民居建筑装饰意义的研究[D];西安建筑科技大学;2005年
9 朱伟;江南园林的窗[D];重庆大学;2005年
10 卢醒秋;透过门窗看传统居住建筑的精神世界[D];昆明理工大学;2004年
，本文编号：2348325
本文链接：https://www.wllwen.com/wenyilunwen/huanjingshejilunwen/2348325.html
