北路壮剧传统剧目研究
发布时间：2019-02-14 14:41
【摘要】：壮剧是根植于壮族地区的具有地域性和民族性特色的古老剧种,是壮族民间传统文化的典型代表之一。根据壮语方言、音乐唱腔、表演风格等方面的差异,壮剧可分为广西南路壮剧、北路壮剧、师公戏和云南富宁壮剧、广南壮剧等。其中,北路壮剧使用壮语北部方言演唱,是壮族民间戏曲中发展最完整的一类。本文主要研究对象是长期活跃于广西田林县的北路壮剧的传统剧目。关于北路壮剧起源于何处在民间有不同的声音,据相关资料考证,"田林源流说"被学界所普遍认可。北路壮剧萌芽于明代,形成于清代,至今已有三百多年的历史。田林县独特的自然环境和人文环境对它的产生和传播产生了重要的影响,经过十代艺师的代代传承和努力追求,以田林壮剧为代表的北路壮剧已达到了中国少数民族戏剧中较高的水平。它一方面将壮族的传统文化、民俗风情融入戏剧表演之中,另一方面积极地去适应观众的审美心理和审美情趣,创作出了爱情婚姻剧、伦理道德剧、历史剧、神话剧等不同题材的剧目,在民间发挥着重要的娱乐、教育、认知功能等多种作用。但随着社会经济的不断发展,壮剧艺术也受到了一定的冲击和挑战。2006年,壮剧被纳入第一批国家级非物质文化遗产保护名录,这是对壮剧的重视,同时也是对它发展现状的担忧。田林县政府和广大群众积极响应国家号召,从2007年开始举办一年一度的壮剧艺术节,吸引了广西各地的壮剧剧团前来参加汇演。在各方力量的支持下,北路壮剧的保护、发展、研究工作正逐步向前推进。本文在田野调查获取第一手资料的基础上,从剧本的文学性角度出发,并将其放置于民俗学视野下,以分类探讨的方式对北路壮剧传统剧目的题材、文本特点进行研究,揭示北路壮剧传统剧目中所渗透的思想内涵及民俗文化,为北路壮剧剧本的创作提供一定的理论支持和参考借鉴,为北路壮剧在非物质文化遗产大背景下继续传承和发扬添砖加瓦。全文主要有四部分内容:第一部分梳理北路壮剧形成与发展的过程,并对其生存环境、表演艺术以及现有的文本形态进行论述;第二部分首先探讨北路壮剧传统剧目题材的来源,其次从题材内容入手,对北路壮剧传统剧目进行详细的分类研究;第三部分从剧目的故事内容、情节结构、人物出场、人物刻画、对白唱词以及叙述视角六个方面展开分析;第四部分结合民俗学相关的知识,分析北路壮剧传统剧目中所蕴含的民间思想,挖掘隐藏在剧目之中的壮族民俗风情,并剖析北路壮剧在民间所具有的社会功能。
[Abstract]:Zhuang Opera is an ancient drama with regional and national characteristics rooted in Zhuang nationality area, and it is one of the typical representatives of Zhuang folk traditional culture. According to the differences of Zhuang dialect, music singing and acting style, Zhuang opera can be divided into Guangxi Nanlu Zhuang drama, Beilu Zhuang drama, Shi Gong opera, Yunnan Funing Zhuang drama, Guangnan Zhuang opera and so on. Among them, Beilu Zhuang Opera singing in the northern dialect of Zhuang is the most complete type of folk opera of Zhuang nationality. The main research object of this paper is the traditional drama of Beilu Zhuang Opera, which has been active in Tianlin County of Guangxi for a long time. There are different voices about where the Beilu Zhuang opera originated in the folk. According to the relevant data, Tian Lin's theory of origin and stream is generally recognized by the academic circles. Beilu Zhuang Opera originated in the Ming Dynasty and formed in the Qing Dynasty, and has a history of more than 300 years. Tianlin County's unique natural environment and humanistic environment have had an important impact on its generation and dissemination, and have been inherited and pursued by ten generations of artists. Beilu Zhuang Drama, represented by Tian Lin Zhuang Opera, has reached a higher level in Chinese minority drama. On the one hand, it integrates the traditional culture and folk customs of the Zhuang nationality into the theatrical performances, on the other hand, it actively adapts to the audience's aesthetic psychology and aesthetic tastes, and creates love and marriage drama, ethical and moral drama, and historical drama. Mythology plays an important role in folk entertainment, education, cognition and so on. However, with the continuous development of social economy, the art of Zhuang Opera has also been impacted and challenged. In 2006, Zhuang Opera was included in the first batch of national intangible cultural heritage protection list, which is the emphasis on Zhuang Opera. At the same time, it is also a concern about the status of its development. The Tianlin County government and the broad masses responded positively to the national call to hold the annual Zhuang Opera Art Festival in 2007, which attracted Zhuang opera troupes from all over Guangxi to participate in the performance. With the support of all sides, the protection, development and research of Beilu Zhuang Opera are advancing step by step. Based on the firsthand data obtained from field investigation, this paper, from the literary point of view of the script, puts it in the perspective of folklore, and studies the theme and text characteristics of the traditional drama of Beilu Zhuang Opera in the way of classification and discussion. It reveals the ideological connotation and folk culture permeated in the traditional drama of Beilu Zhuang drama, and provides certain theoretical support and reference for the creation of the drama of Beilu Zhuang opera. For the Beilu Zhuang drama in the context of intangible cultural heritage to continue to inherit and carry forward the building blocks. There are four main parts of the full text: the first part combs the formation and development of Beilu Zhuang Opera, and discusses its living environment, performing arts and the existing text form; The second part first discusses the origin of the traditional drama of Beilu Zhuang Opera, and then starts with the content of the subject matter, and makes a detailed classification study on the traditional drama of Beilu Zhuang Opera. The third part from the drama's story content, the plot structure, the character appearance, the character portrays, the words and the narration angle of view to carry on the analysis from six aspects; The fourth part combines the folklore related knowledge, analyzes the folk thought contained in the traditional repertoire of Beilu Zhuang Opera, excavates the folk customs and customs of Zhuang nationality hidden in the repertoire, and analyzes the social function of Beilu Zhuang Opera in the folk.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825
本文编号：2422304
[Abstract]:Zhuang Opera is an ancient drama with regional and national characteristics rooted in Zhuang nationality area, and it is one of the typical representatives of Zhuang folk traditional culture. According to the differences of Zhuang dialect, music singing and acting style, Zhuang opera can be divided into Guangxi Nanlu Zhuang drama, Beilu Zhuang drama, Shi Gong opera, Yunnan Funing Zhuang drama, Guangnan Zhuang opera and so on. Among them, Beilu Zhuang Opera singing in the northern dialect of Zhuang is the most complete type of folk opera of Zhuang nationality. The main research object of this paper is the traditional drama of Beilu Zhuang Opera, which has been active in Tianlin County of Guangxi for a long time. There are different voices about where the Beilu Zhuang opera originated in the folk. According to the relevant data, Tian Lin's theory of origin and stream is generally recognized by the academic circles. Beilu Zhuang Opera originated in the Ming Dynasty and formed in the Qing Dynasty, and has a history of more than 300 years. Tianlin County's unique natural environment and humanistic environment have had an important impact on its generation and dissemination, and have been inherited and pursued by ten generations of artists. Beilu Zhuang Drama, represented by Tian Lin Zhuang Opera, has reached a higher level in Chinese minority drama. On the one hand, it integrates the traditional culture and folk customs of the Zhuang nationality into the theatrical performances, on the other hand, it actively adapts to the audience's aesthetic psychology and aesthetic tastes, and creates love and marriage drama, ethical and moral drama, and historical drama. Mythology plays an important role in folk entertainment, education, cognition and so on. However, with the continuous development of social economy, the art of Zhuang Opera has also been impacted and challenged. In 2006, Zhuang Opera was included in the first batch of national intangible cultural heritage protection list, which is the emphasis on Zhuang Opera. At the same time, it is also a concern about the status of its development. The Tianlin County government and the broad masses responded positively to the national call to hold the annual Zhuang Opera Art Festival in 2007, which attracted Zhuang opera troupes from all over Guangxi to participate in the performance. With the support of all sides, the protection, development and research of Beilu Zhuang Opera are advancing step by step. Based on the firsthand data obtained from field investigation, this paper, from the literary point of view of the script, puts it in the perspective of folklore, and studies the theme and text characteristics of the traditional drama of Beilu Zhuang Opera in the way of classification and discussion. It reveals the ideological connotation and folk culture permeated in the traditional drama of Beilu Zhuang drama, and provides certain theoretical support and reference for the creation of the drama of Beilu Zhuang opera. For the Beilu Zhuang drama in the context of intangible cultural heritage to continue to inherit and carry forward the building blocks. There are four main parts of the full text: the first part combs the formation and development of Beilu Zhuang Opera, and discusses its living environment, performing arts and the existing text form; The second part first discusses the origin of the traditional drama of Beilu Zhuang Opera, and then starts with the content of the subject matter, and makes a detailed classification study on the traditional drama of Beilu Zhuang Opera. The third part from the drama's story content, the plot structure, the character appearance, the character portrays, the words and the narration angle of view to carry on the analysis from six aspects; The fourth part combines the folklore related knowledge, analyzes the folk thought contained in the traditional repertoire of Beilu Zhuang Opera, excavates the folk customs and customs of Zhuang nationality hidden in the repertoire, and analyzes the social function of Beilu Zhuang Opera in the folk.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825
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