20世纪90年代中国电影中的北京城市形象

发布时间：2019-02-27 08:35

【摘要】：电影对于城市并不是简单的复制再现,而是影片创作者在对城市的认识与想象的基础上,加上自己的记忆和生活体验,通过对城市中人物和环境的叙述,展现出城市的想象图景。北京作为“乡土中国”的代表,是一座被历史赋予了独特气质和绵延的精神品质的城市,它强大的文化魅力感染和影响着无数居住在这里的人们。北京是由无数人的生活经验层层叠积起来的,随着时间的变迁慢慢地转化为独有的文化魅力。20世纪90年代中国经济高速发展,改革开放取得了丰硕的成果,进入了社会转型的“加速期”,而中国电影的城市空间也开始发生转向。社会的改革使城市发生了翻天覆地的变化,作为中国的首都北京更是如此。于是,北京城市空间出现了传统性与现代性并置的两种空间,正是这两种截然不同的城市景观呈现出了时间与历史的绵延性。电影中描写的北京虽然是“现实题材”中的北京,但是电影创作者所用的塑造手法却是不同的,用不同的手法书写出不同的北京形象。第一章主要分析了北京在电影中作为传统的文化古都的形象建构。四合院和胡同不仅是北京这座古老城市历史的纪录者,还是中国传统文化的载体。放眼望去世纪末的怀旧情绪高涨,电影创作者们把对过去的老北京城的记忆加上自己的想象进行重构,成为了具有丰富的历史和个人想象的北京记忆。第二章主要分析了在社会改革、现代化进程加速中,北京作为首善之区向现代化城市迈进形成一幅“流动式绘图”,城市的现代化发展在给人们带来先进的物质文明的同时,也带来了文化震惊和彷徨焦虑。第三章主要分析了在全球化浪潮之下,北京传统文化与外来文化之间的相互影响,使得北京变成了一座被赋予全球化想象的城市,同时也奠定了21世纪初期北京作为国际新城的想象与建构。本文主要分析了20世纪90年代中国电影中的北京城市,旨在于以此来折射出电影作为一种艺术门类与现实城市空间之间、与社会文化之间的想象与互动关系。以及试图通过在特殊时期中,电影创作者们眼中不同的北京城市形象来揭示出城市与电影之间复杂微妙的关系。
[Abstract]:The film is not a simple reproduction of the city, but a film creator based on the understanding and imagination of the city, together with his own memory and life experience, through the description of the characters and environment in the city, Show the imagination of the city. As the representative of "Native China", Beijing is a city which has been endowed with unique temperament and continuous spiritual quality by history. Its powerful cultural charm infects and affects countless people who live here. Beijing has been accumulated from countless people's life experiences, and gradually transformed into unique cultural charm with the change of time. In the 1990s, China's economy developed at a high speed, and reform and opening-up achieved fruitful results. Entered the "acceleration period" of social transformation, and the urban space of Chinese films also began to turn. Social reforms have revolutionized cities, especially Beijing, China's capital. Therefore, Beijing's urban space has two kinds of spaces, which are traditional and modern. It is these two distinct urban landscapes that show the continuity of time and history. Although the Beijing described in the film is Beijing in the "realistic theme", the film creators use different molding techniques, using different techniques to write different images of Beijing. The first chapter mainly analyzes the image construction of Beijing as a traditional cultural capital in movies. Siheyuan and hutong are not only the record of the ancient city of Beijing, but also the carrier of Chinese traditional culture. Looking at the nostalgia of the end of the century, film creators reconstructed the memory of the old city of Beijing and their imagination into a memory of Beijing with rich history and personal imagination. The second chapter mainly analyzes that in the process of social reform and the acceleration of modernization process, Beijing, as the first good area, stride towards a modern city and form a "mobile drawing". The modernization of the city brings advanced material civilization to people at the same time. It also brings cultural shock and anxiety. The third chapter mainly analyzes the interaction between Beijing's traditional culture and foreign culture under the tide of globalization, which makes Beijing a city endowed with the imagination of globalization. At the same time, it also laid the imagination and construction of Beijing as an international new city in the early 21 ~ (st) century. This paper mainly analyzes the Beijing city in Chinese films in the 1990s in order to reflect the imagination and interaction between film as an art category and real city space and social culture. And try to reveal the complex and subtle relationship between the city and the film through the different image of the city in the eyes of the film creators during the special period.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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