马格利特绘画艺术中的图文关系研究

发布时间：2018-01-12 07:19

本文关键词：马格利特绘画艺术中的图文关系研究　出处：《湘潭大学》2016年硕士论文　论文类型：学位论文

【摘要】：20世纪以来尤其是进入21世纪以后,图像凭借自身的优势开始取代文学,在消费文化意识形态下占据重要位置。在视觉文化盛行的“读图时代”语境中,读图时代、图文之争、图像消费以及景观电影等诸多图文问题是目前学界研究的热门话题。图文关系作为一个理论问题的同时又是一个现实问题,既有学理渊源又有现实新变。图文虽然属于不同的符号系统,功能迥然有异,但各有所长。探讨图文关系不应该过多的探讨其对立关系,而从多维度去论述两者之间关系的可能性。作为一长久性的理论问题,不仅局限于空想的理论层面,更多的应该以文本为依托。在20世纪哲学文化背景下,作为超现实主义的一员,马格利特创作了大量富有哲理且兼具诗意的画作。在他的众多作品中有其中一个系列颠覆了我们的视觉经验和观看习惯,即“词语—形象”系列绘画作品。在这系列绘画作品中,马格利特采用混合艺术的表现方式(将词语引入到绘画之中,米歇尔在《图像理论》称其为“形象文本”)阐释了图文共享同一文本时的复杂关系,为我们分析图文提供了一个独特的实验室。从图文叙事的角度出发,笔者将此系列的绘画作品中的图文关系分为:图文一致、图文互释、图文悖论与图文异义四个层面,并结合他在《词语与形象》一文中对于“词语”与“形象”的理解,从符号学的角度去探讨马格利特绘画中图文之间的共性与差异、同谋与战争。在语图视野下对马格利特绘画作品的深入分析具有重大的意义,它不仅能够为我们当下研究图文关系提供一些新的视角和开辟新的视野,还对当下的艺术创作具有重要的意义。
[Abstract]:Since twentieth Century especially after entering twenty-first Century, the image with its own advantages to replace literature, occupies an important position in the ideology of consumption culture. In the visual culture in the era of "reading" in the context of the era of pictures, text of the dispute, many problems of graphic image consumption and landscape film, is a hot topic in the academic study. The relationship between text and at the same time as a theoretical problem and a real problem, both the theoretical origin and the realistic change. Although the graphic symbol system belongs to different functions, very different, but each one has his good points. Discussion of the relationship between text and should not be too much to explore the antagonistic relationship, and from the multi-dimensional relations discussed between the two possibilities to as a theoretical problem. Long term, the theoretical level is not only confined to the fanciful and more should be based on the text. In twentieth Century the philosophical and cultural background, as a super A member of realism, Margaret created a lot of philosophical and both poetic paintings. In his many works including a series of subversion of our visual experience and viewing habits, namely "word - image" series of paintings. In this series of paintings, Margaret adopts mixed art form (will the words into the painting, Michel in < > image theory called "image text") to explain the complex relationship with a shared graphic text, we analyze the text provides a unique laboratory. Starting from the graphic narrative angle, the relationship between text and this series of paintings is divided into graphic, graphic interpretation, four aspects of text and graphic are combined with the paradox, he in "words and the" image "words" and "image", from the perspective of semiotics. To explore the similarities and differences between the text of Margaret's painting, conspiracy and war. In the sonagram perspective in-depth analysis of Margaret's paintings is of great significance, it can not only for the moment we provide some new perspectives and open up new horizons for research on the relationship between text and the current art creation is of great significance.

【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J205

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