探析八大山人花鸟画风格的象征性

发布时间：2018-01-13 04:23

本文关键词：探析八大山人花鸟画风格的象征性　出处：《湖北美术学院》2015年硕士论文　论文类型：学位论文

【摘要】：八大山人是清初遗民画家,因此,艺术较之常人带有更强烈的感情色彩和复杂的精神内涵,一生中作品丰富多样,而最有突出成就的当属其大写意花鸟画,他笔下的花鸟画以简约空灵的抽象形式,以孤冷、寂静的图式强调人和自然的亲和、协调,表达对人生的感悟和体会。八大山人常以荷花、灵芝、海棠、竹、鱼、孔雀、鹌鹑、鹰等作为绘画题材,赋予它们以传统意义之外的象征性。本文用八大山人的具体花鸟画作品,从他所处的社会背景和家庭背景入手,从其题跋、诗、历史典故、儒道释思想、神话故事、文学性等角度来挖掘花鸟画作品背后的象征意义,并分析其象征性对于后代文人画的影响,具有综合性和可行性。本文从八大山人的生活背景和人生际遇入手,从文人画、中国传统哲学思想等对其花鸟画象征性风格的影响来分析作品的象征性,文章分三个大的部分来具体阐述。第一部分从象征的含义和作用入手,分别从八大山人花鸟画作品的形状性分析,然后挖掘其出现象征性的原因,进而从其生活背景和人生际遇对其绘画作品象征性的影响的探析。第二部分从整体来把握八大山人花鸟画形象的夸张、变形,花鸟画笔墨的象征隐喻性以及对自我感情的表达来挖掘其形象背后的象征性。第三部分从八大山人经典的、有代表性的花鸟画作品入手,从历史典故、社会背景、名俗学、神话学、诗、题跋等角度来综合分析其典型花鸟形象的象征性。
[Abstract]:Badashanren is the Qing Dynasty painter, therefore, is the art of ordinary people with more emotional and complex spiritual connotation, life works rich and diverse, and the most outstanding achievement is its large freehandbird, under his pen painting in an abstract form of simple ethereal, with a solitary cold, silent schema that man and nature affinity, coordination, expression and experience of life. Badashanren often in lotus, Ganoderma lucidum, Begonia, bamboo, fish, peacock, quail, eagle as painting, giving them to the traditional symbolic meaning outside. This paper used the specific Badashanren flower and bird painting, starting from his social and family background, from the inscriptions, poetry, history, Buddhism, fairy tales, such as angle of literary symbolism behind mining paintings, and analyzes its influence on the symbol in future generations of literati painting, has Comprehensive and feasible. This article from the Badashanren's life background and life experience of the literati painting, symbolic effect Chinese philosophy of traditional style of the flower portrait sign to analyze works, this article is divided into three parts to elaborate. The first part starts from the meaning and function of symbol. From the shape of Badashanren flower and bird painting analysis and mining the reason for the symbolic, on and from his life background and life experience of the painting works of symbolic effect. The second part from the whole to grasp the image of Badashan people painting exaggeration, deformation, symbolic symbols and metaphors of flower and bird painting ink the expression of self and feelings to tap the image behind. In the third part, from the Badashanren classic, of representative paintings, from the social background, history, folklore, mythology Learn poems, preface and postscript in terms of general symbolic analysis of the typical image of the bird.

【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

【参考文献】