论文学性在现代国画中的体现

发布时间：2018-01-18 07:30

本文关键词：论文学性在现代国画中的体现　出处：《新疆师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：中国文化是影响中国文人精神内涵,组成文人或画家创作理论和技法的重要有机部分。传统中国画的精神内涵的丰富以及审美理念、思维特点体现了中国画文学性的主要内容,文学性作为中国绘画的养分令中国画有了更强在历史上蓬勃发展,对国画影响深远。近代以来社会巨变,经济模式和社会制度都已转变,各种世界文化传播迅速,时效快、范围广,尤其是戊戌变法、洋务运动、辛亥革命、以及新文化运动和五四青年运动。改革开放以来中国画面目日新月异,以一批画家、学者、批评家为主导在对中国画进行理论归纳,试图从史论和绘画理论角度出发引导国画的传承发展,为中国画在世界上生存发展谋得一席之地。本文以中国画中文学性存在为主线分析,第一章着重探讨中国画与文学的联系,首先从古代绘画中文学因素在国画中的体现进行分析文学理论中的书论和绘画理论的交互影响,文学理论和绘画理论几个主要的艺术范畴以及精神内涵的相同之处,再拓展到现代国画中国进行着重分析,探讨二者的联系并研究影响文学性因素的历程和方式,以及新时代国画与文学关系与以往的不同之处;第二章探讨影响现代文学性的现实因素,分析探讨现代历史背景下文学艺术手法对国画创作产生的借鉴作用以及实践、反思,分门阐释文学性在国画中的体现。解析读书对画家的潜移默化,以及艺术的自觉对画家的思想启发,最后从知识分子本身在社会转型期间角色的变化和更新角度探讨客观因素对画家产生影响的主观影响;第三章研究分析具体对象,以现代文学作品为研究对象和内容,分析文学性因素在其形式和内容中的体现,本章从国画作品题材、审美品格来解析国画的文学性存在方式和表现内容,并以新文人画为案例透析现代国画文学性的存在模式,以及有何新变化新特点值得我们借鉴和学习的;第四章和第五章作为本文拓展部分探讨读书的价值和意义,从古代和现代画家读书方式对思维观念产生的积极影响,比如对审美品格的提升和画家修养的形成,最终会对文学性的体现和绘画的价值提升产生催化作用,以此来探讨分析影响国画文学性的主观因素。
[Abstract]:Chinese culture is an important organic part that influences the spiritual connotation of Chinese literati and forms the creative theory and technique of literati or painter, and the enrichment of spiritual connotation and aesthetic concept of traditional Chinese painting. The characteristics of thinking reflect the main content of Chinese painting literariness, literariness as the nutrient of Chinese painting, Chinese painting has a stronger historical vigorous development, far-reaching impact on traditional Chinese painting. Modern society has changed dramatically. The economic model and social system have all changed, all kinds of world culture spread rapidly, the time limit is fast, the scope is wide, especially the Reform Movement of 1898, the Westernization Movement, the Revolution of 1911. As well as the New Culture Movement and the May 4th Youth Movement. Since the reform and opening up, the face of Chinese painting changes with each passing day, with a group of painters, scholars, critics as the leading in the theoretical induction of Chinese painting. This paper attempts to guide the inheritance and development of traditional Chinese painting from the perspective of historical theory and painting theory in order to find a place for the survival and development of Chinese painting in the world. The first chapter focuses on the relationship between Chinese painting and literature, first of all, from the ancient Chinese painting in the Chinese painting factors in the embodiment of the analysis of literary theory of the book theory and painting theory interaction. Literary theory and painting theory of several main artistic categories and spiritual connotation of the similarities, and then expanded to the modern Chinese painting to focus on analysis. This paper discusses the relationship between the two and studies the course and ways of influencing literary factors, and the differences between traditional Chinese painting and literature in the new era. The second chapter discusses the realistic factors that affect the modern literature, analyzes and discusses the reference and practice of literary and artistic techniques to the creation of traditional Chinese painting under the background of modern history, and reflects on them. It explains the embodiment of literariness in traditional Chinese painting, analyzes the subtle influence of reading on the painter, and the consciousness of art enlightens the painter. Finally, from the perspective of the change and renewal of intellectuals' role in the period of social transformation, this paper discusses the subjective influence of objective factors on painters. The third chapter analyzes the specific objects, modern literary works as the research object and content, analysis of literary factors in its form and content, this chapter from the subject matter of traditional Chinese painting works. Aesthetic character to analyze the literary existence of traditional Chinese painting and its content, and take the new literati painting as a case to analyze the modern Chinese painting literary existence mode, and what new changes and new characteristics are worthy of our reference and learning; Chapter 4th and Chapter 5th as part of the expansion of this article to explore the value and significance of reading, from the ancient and modern painter reading mode of thinking, such as the promotion of aesthetic character and the formation of painter cultivation. Finally, it will catalyze the embodiment of literariness and the promotion of painting value, so as to analyze the subjective factors that affect the literariness of traditional Chinese painting.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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