中国水墨画的线结构考略

发布时间：2018-01-19 03:23

本文关键词： 水墨画线审美　出处：《吉林大学》2013年硕士论文　论文类型：学位论文

【摘要】：线性特征是中国古代绘画最突出、最独特的艺术表现形式。线条是中国水墨画技术表达的骨架和灵魂。无论是浓淡、方圆、粗细、长短等都反映着画家的审美趣味和自身修养。本文通过对水墨线性的阐述能让我们认识到水墨线性的特点以在中国艺术史中的意义。当然，我们也更希望它能对中国当代艺术的研究有所裨益。通过对线的分析，让大家更深刻的了解中国画水墨线性的发展以及现代人对它的思考。意笔水墨画是我国传统绘画艺术的瑰宝，体现了东方文化的玄妙哲理，用笔的提按、转折、线条的刚柔、明暗，墨色的浓淡、润燥，构图的疏密、虚实，色彩的对比、混合所展现出的神韵、意趣、情趣等，无不给人以感性、爽快、洒脱的感觉。用线的笔墨感应，在创作过程中将心智寄托于水墨的用线，体现了东方朴素的辩证观，只有独具创造精神的民族才能培养出这样独特的艺术之花。通过本文的阐述将更清晰的了解水墨线性的理论踪迹。水墨画中的线多以中锋为主,中侧锋兼用，依靠长短线的穿插，交叠分割来营造画面的韵律与动感，用轻松的笔和墨在干湿浓淡的变化中进行意象的组合，使画者的精神气质，，内心感受，审美情趣逐渐的转为点、线、面的墨色形态，在浑厚、明快、亮泽的墨韵中透逸出一种文人气质。通过本文的阐述能使大家对线的组织、线的传承、线的创新有所了解。
[Abstract]:Linear feature is the most prominent and unique artistic form of ancient Chinese painting. Line is the skeleton and soul of Chinese ink painting technology. The length and length of the painting reflect the aesthetic taste and self-cultivation. This article through the ink linearity can let us recognize the characteristics of ink linearity in the history of Chinese art significance. Of course. We also hope that it will benefit the research of Chinese contemporary art. Through the line analysis, let us understand the linear development of Chinese ink painting and modern thinking. Italian ink painting is the treasure of Chinese traditional painting art, reflecting the mysterious philosophy of oriental culture. With the pen to press, turning, lines of rigid and soft, light and dark, dark, dark, dry, composition of the dense, empty, color contrast, the mixture of charm, interest, interest and so on, all to give people perceptual, refreshing. Free and easy feeling. The pen and ink induction with line, in the process of creation, the mind will be placed in the line of ink, reflecting the simple dialectical view of the East. Only a nation with unique creative spirit can cultivate such a unique artistic flower. The lines in ink and wash painting are mainly used by the center front, which rely on the interlacing of the short and short lines and the overlapping segmentation to create the rhythm and dynamic feeling of the picture. The combination of images is carried out with the relaxed pen and ink in the change of dry-wet thick and light. So that the artist's spiritual temperament, inner feelings, aesthetic interest gradually turned to point, line, face of ink form, in the thick, bright. Through the elaboration of this paper, we can understand the organization, inheritance and innovation of line.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】