墨竹画的源流析
发布时间:2018-01-20 11:06
本文关键词: 萧悦 道臻 章怀太子墓壁画 吴道子 画竹 嘉yP 寻根问祖 李夫人 文湖州 丛竹 出处:《公关世界》2016年20期 论文类型:期刊论文
【摘要】:正中国人有寻根问祖之美德,对墨竹画亦然。据今资料显示,唐代墨竹已始流行,但都"道听途说"而已:一云吴道子作画"不施丹青已极形似",为黄庭坚《道臻师画墨竹序》所及;二云王维(摩诘)为开元寺画过两丛竹,被苏轼在宋仁宗嘉yP六年冬于凤翔发现该画刻于石上所推论;三云萧悦是唐代画竹名家,以白居易《萧悦画竹论》"举头忽看不似画,侧耳静听疑有声"为证;四云唐章怀太子墓壁画中有侍
[Abstract]:The Chinese people have the virtue of seeking root and asking the ancestors , and also the ink and bamboo picture . According to the information , Tang Dynasty Ink Bamboo started to be popular , but all " Taoist priests said " : A cloud of Wu Daozi painting " no Danqing has become very similar " , and Su Shi in the Song Ren Zong JiayP six years in the winter in Fengxiang discovered the painting engraved on the stone ;
【分类号】:J212
【正文快照】: 中国人有寻根问祖之美德,对墨竹画亦然。据今资料显示,唐代墨竹已始流行,但都“道听途说”而已:一云吴道子作画“不施丹青已极形似”,为黄庭坚《道臻师画墨竹序》所及;二云王维(摩诘)为开元寺画过两丛竹,被苏轼在宋仁宗嘉yP六年冬于凤翔发现该画刻于石上所推论;三云萧悦是唐代,
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