装饰语言在水粉画中的应用

发布时间：2018-01-21 05:31

本文关键词： 装饰语言水粉画研究　出处：《内蒙古师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：英国克莱夫.贝尔说：艺术是“有意味的形式”。十九世纪法国新古典主义大师安格尔说“形式，形式------一切决定于形式”。画家荷加斯在其著名的《美的分析》中提出了会使任何绘画构图变得优雅和美的一些基本规则：适应、多样、统一、单纯、复杂和尺寸。装饰语言遵循的也是这样的原则。装饰的英文是（decoration），与‘端庄稳重’（decorum）为同源词，意味着适宜、稳定，形式化。装饰语言在造型和形式上，注重夸张变形，突出高度的概括性与简练性；在构图上，注重追求自由时空，表现平面化的无焦点透视的多维空间；在色彩上，讲究化繁为简，不追求明暗、远近及写实的冷暖关系，而追求色彩的象征性。海因里希.沃尔夫林（heinrich.wolfflin）说过一句话:美术史主要就是一部装饰史。近代工业的发展使水粉画颜料不断改进，使水粉画具备了较充分的表现力，既可以厚画，表现细致入微的色彩层次，明朗、强烈的色彩倾向；又可以薄画、湿画，体现出如水彩般的透明淋漓。水粉画颜料的这种多面性加上一些特殊的表现技法给水粉画发展增添了新的生机与活力，极大的拓展了现代水粉画的表现形式。而装饰语言作为绘画形式语言的重要一部分，已成为水粉绘画艺术中常用的表现形式。装饰语言可以用应于水粉静物画、水粉风景画以及水粉人物画当中。有很多优秀的水粉画作品使用了装饰性语言，体现了画家的艺术创新思想，使画面上突破了自然空间和事物的原有形态的束缚，，增加了画面美感，形成了一种新的审美形式，促进了水粉画的发展。袁运甫先生曾主张：在中西绘画的交融中，在工艺设计与绘画之间，在装饰性与写实性的互补上，在传统基础上与现代精神体现上架起一座桥梁。今天对于水粉画的研究，在保持水粉画自身的独特面貌的基础上，目光不应局限于水粉画自身，应把它放在整个绘画艺术中去考虑，学习前人总结的实践经验和艺术规律，从一切绘画艺术形式中去发现美的表现手法。
[Abstract]:Clive. Baer said: art is a "meaningful form". In nineteenth Century the French neoclassical master Angell said, "the form, form, everything depends on the form of" painter Hogarth in his famous "analysis of the beauty > presents will make any painting become some basic rules of grace and beauty: adaptation, diversity a unified, simple, complex, and size. The decoration language also followed the same rule.
The ornamental English is (decoration), and the word 'decorum' is homologous, which means appropriate, stable, and formalized.
Decorative language in shape and form, focusing on exaggerated deformation, highlight the generality and simplicity of height; in the composition, focusing on the pursuit of free space, no multidimensional space is the focus of the performance perspective plane; in color, pay attention to simplify, not the pursuit of brightness, distance and realistic relationship between warm and cold, symbolic the pursuit of color.
Woerfulin. Heinrich (heinrich.wolfflin) said a word: art history is a history of decoration.
The development of modern industry to continuously improve the gouache, gouache with expressive force more fully, can draw thick, nuanced performance level of color, bright, strong color and thin tendency; wet painting, painting, shows such as watercolor like transparent. This versatility water dripping powder paint with some special techniques to gouache development adds new vigor and vitality, greatly expanding the forms of modern watercolor painting. And the decorative language as an important part of the formal language of painting, has become a common form of gouache painting.
Decorative language can be in watercolor painting, landscape painting and gouache in gouache painting. There are a lot of excellent gouache works using decorative language, the art of innovation thought of the artist, the screen to break the shackles of the original shape of the natural space and objects, add a picture of beauty, form a new aesthetic form, promote the development of watercolor painting.
Mr. Yuan Yunfu has argued that: in the blend of Chinese and Western painting, in process design and painting, decorative and complementary in realistic, bridge and modern spirit reflected in the traditional basis. Today for the study of gouache, based on its unique keep gouache face, eyes should not be confined to their own gouache, put it in the art of painting to consider and study summary of previous experience and the laws of art, to find the beauty of expression from all art forms.

【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J215

【共引文献】