涂鸦艺术在城市公共空间发展应用与研究

发布时间：2018-01-22 21:37

本文关键词： 涂鸦艺术公共空间关系可能性　出处：《湖南师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：20世纪60年代涂鸦开始于美国纽约的布朗克斯的穷人区,它与Rap、DJ和街舞一起,被公认为是Hip-hop文化四元素之一,由于涂鸦艺术的历史背景、表现方式、情感特征以及与城市公共空间的关系,使它经受着各种非议,人们对它的看法褒贬不一,因此涂鸦艺术远没有像这些元素一样被称为流行或是文化,而是徘徊在艺术的边缘,被视为是一种边缘的视觉艺术,甚至被视为一种非法的艺术形式。但随着时代的变化和发展,各名族和世界文化的交融,人们开始理解并认同这种艺术形式。涂鸦艺术自身多样化的形式和个性化的色彩表达方式,随着艺术家们合理化的运用,内容逐渐多元化,与城市空间中个要素不断融合,呈现出和谐的发展态势,逐渐在城市的公共空间闪耀迷人的光彩。从涂鸦艺术与城市公共空间的角度解读,城市公共空间是展示艺术和文化的窗口和媒介,城市在发展进程中吸收和容纳多种艺术元素,必然也包括涂鸦艺术这一充满反叛精神的视觉艺术形式,城市公共空间是涂鸦艺术赖以生存和发展的载体,涂鸦艺术作为公共艺术的一种也是城市公共空间中不可分割的一部分,因此涂鸦艺术对城市公共空间各要素的作用,尤其是涂鸦艺术在未来城市公共空间发展的可能性和方向受到人们越来越多的关注。从涂鸦艺术发展的发展形式我们也不难看出,它也在以一种正面的姿态在向前发展迈进,例如频繁的出席在大型公共场所,出现在商业街区,居民区,甚至是政府办公楼等地方,也以其他的形式出现在书籍杂志的文学界,衣服鞋帽的时尚界等,渗透到了流行文化的各个方面。因此我们有理有据的相信涂鸦艺术具备从偏僻角落转向公共空间视野,从不规范空间转变到规范空间,从边缘艺术向主流艺术的转变的种种可能性。本文主要采用“视觉文本分析”定性分析与“公共空间”多维度解读研究范式相结合的研究方法,整理了大量的涂鸦与城市公共空间相关的文本资料,并搜集大量的图片资料作为佐证,进而对公共空间中的涂鸦艺术进行剖析。重点在于在分析涂鸦艺术在城市公共空间中存在的价值及两者的关系,最终得出当代涂鸦艺术运用于未来城市公共空间的可能性并对涂鸦艺术在中国本土发展的新趋势进行分析。
[Abstract]:In 1960s, graffiti began in the poor district of the Bronx in New York City. It was recognized as one of the four elements of Hip-hop culture, along with Rapi DJ and hip-hop dance. Because of the historical background, expression style, emotional characteristics and the relationship with urban public space, graffiti art has been subjected to various criticisms, and people have different opinions on it. So graffiti art is far from being called pop or culture as these elements are, but rather hovering around the edge of art, as a visual art on the edge. It is even regarded as an illegal art form, but with the change and development of the times and the blending of various ethnic groups and world culture, people begin to understand and identify with this art form. Graffiti art of its own diversified forms and personalized color expression, with the use of rationalization of the artists, the content gradually diversified, and urban space in a continuous integration of elements. From the angle of graffiti art and urban public space, urban public space is the window and medium to display art and culture. The city absorbs and accommodates a variety of artistic elements in the process of development, including graffiti art, a visual art form full of rebellious spirit, and urban public space is the carrier of the survival and development of graffiti art. Graffiti art as a kind of public art is also an inseparable part of urban public space, so graffiti art plays a role in all elements of urban public space. In particular, the possibility and direction of graffiti art in the future development of urban public space is getting more and more attention. From the development of graffiti art, we can see it is not difficult to see. It is also moving forward in a positive way, such as frequent attendance in large public places, commercial neighborhoods, residential areas, and even government offices. It also appears in other forms in the literary world of books, magazines, clothes, shoes, hats, fashion, etc. Therefore, we believe that graffiti art has changed from the remote corner to the public space vision, from the non-standard space to the normative space. The possibilities of changing from marginal art to mainstream art. This paper mainly uses the qualitative analysis of "visual text analysis" and the "public space" multi-dimensional interpretation of the paradigm of research methods, sorting out a large number of graffiti and urban public space related text materials. And collect a large number of pictures as evidence, and then analyze the art of graffiti in public space, focusing on the analysis of the value of graffiti art in urban public space and the relationship between the two. Finally, the possibility of applying contemporary graffiti art to urban public space in the future is obtained and the new trend of graffiti art development in China is analyzed.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J219

【参考文献】