丝网版画创作中符号化语言的应用

发布时间：2018-01-23 17:35

本文关键词： 丝网版画符号化语言创作应用　出处：《吉林艺术学院》2013年硕士论文　论文类型：学位论文

【摘要】：丝网版画在20世纪初被塞缪·西蒙研究出制版的方法，从此，丝网版画成为版画的一个重要的技法和表现形式。随着时间的推进，技术得以完善，印刷材料的种类也更为广泛，取得也较之容易。随后波普艺术在英国和美国被广泛传播，大量印刷品需要被出版发放，这时丝网印刷便在工业上大放光彩，这种快速而大量的印刷技术极大的满足了传播的需求，逐渐成为波普艺术家创作技法的常用手段。随后，一九六零年代，符号学被提出，形成了一个单独的学科，发展成不同的流派。传入中国后，对于当时的中国艺术家无疑是吸收西方文化的时期，他们谈论、研究，然后将符号语言用到自己的创作中去。艺术家们将丝网版画的特点作为艺术表达最为合适和恰当的表现，并尝试用这种方式用来传达。
[Abstract]:In 20th century, screen printing was developed by Samuel Simon, and since then, screen printing has become an important technique and form of expression. Printing materials were also wider and easier to obtain. Then pop art was widely spread in Britain and the United States, and a large number of printed materials needed to be published, and silk-screen printing had become an industrial splendor. This rapid and large number of printing technology greatly meet the needs of communication, and gradually become a popular means of pop artists' creative techniques. Then, in 1960, semiotics was put forward, formed a separate discipline, developed into different schools. After it was introduced to China, Chinese artists at that time were undoubtedly absorbed the period of Western culture. They talk, study, and then apply symbolic language to their creations. Artists use the characteristics of screen prints as the most appropriate and appropriate expression of artistic expression, and try to convey them in this way.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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