物趣—浅析“静物绘画”中的“素”与“静”

发布时间：2018-01-30 12:01

本文关键词： “静物绘画” “素” “静” “素心” “静观”　出处：《中央民族大学》2013年硕士论文　论文类型：学位论文

【摘要】：在美术史的发展长河之中,“静物”一直是画家们长于表现的题材之一。不论是西方的静物画还是中国的花鸟画及一部分小品画,画家都在极尽所能的用画家之眼和画家之心进行描绘,并意图在画面之外表达些什么。在这里,“静物”不再只是画家笔下简单的物象,而经常被赋予了“物”之外的“意”,以寄托画家的情思。本文以画面意境和情趣对一部分以“物的静态呈现”为题材的绘画进行了重新的分类和解读,并以中国传统审美意趣为出发点,提取两个关键词——“素”与“静”,以此角度重新阅读“静物绘画”,并探讨其背后的文化内涵。一,本文选取了“静物绘画”作为探讨的对象。这类绘画虽然题材较小,但与生活贴近,易使人产生亲切感。且正如庄子于《齐物论》中所论,世界皆由小物组成,每种“物”都有其存在的价值；事物由道而生,而“道通为一”,这与“静物绘画”中以物寄情之思互相契合。本文一方面就绘画角度对“静物绘画”进行了分析和探讨；另一方面,通过对关键词“素”与“静”的阐释,体味承载于此类“静物绘画”之中的文化内涵及其存在于现当代艺术环境中的特殊意义。二,本文涉及东西两方面哲学、美学观念及作品的探讨,立足于东方审美意趣,并在写作过程中援引西方理论支撑。通过对于相关理论和绘画作品的翻阅和探究,打破地域限制,整理出其中具备相近情绪的一部分作品,进行探讨和研究。一方面,对于“静物绘画”在本文中所指范畴以意境和情趣进行了归类和思考；另一方面,以“素”与“静”为出发点对这类“静物绘画”进行分析和再解读。三,当今社会飞速发展,信息流通的便捷使地球变得越来越小。身处当代,大量文化信息充斥在生活之中,丰富了文化生活。但就另一个角度而言,爆炸的信息也冲击着人们的内心。在这种氛围之中,如何存留内心的一份清静、如何理性客观的取舍、如何保护自己内心的文化力量就显得尤为重要。而中国传统释道精神所提倡的“空”、“无”等哲学思想,则以东方的大智慧为我们找到了一种留存内心文化能量的方式。绘画中的“素”与“静”,既是流淌于画面之上的质朴宁静,也是深植于绘画之内的那份淡然澄明。本论文中涉及的这部分绘画作品,虽为描绘物象之作,但其质朴淡然、宁静致远的风貌,如同一剂养心良药,于平淡不经之中滋润着画者和读者的心田。在充满多元文化现象的当代,这部分作品也许略显平淡,并不夺人眼球,但其依然是值得我们关注的视觉现象之一,具有不可替代的存在意义。
[Abstract]:In the development of art history, "still life" has always been one of the subjects that painters are good at. Painters are doing everything they can to paint with the artist's eyes and the artist's heart, with the intention of expressing something outside the picture. Here, "still life" is no longer just a simple image in the artist's pen. This paper reclassifies and interprets a part of painting with the theme of "static presentation of things" by the artistic conception and interest of the picture. Taking Chinese traditional aesthetic interest as the starting point, this paper extracts two key words, "element" and "Jing", and then rereads "still life painting" from this angle, and probes into the cultural connotation behind it. First, this paper chooses "still life painting" as the object of discussion. Although this kind of painting is small in subject matter, but it is close to life, it is easy to make people feel close to each other, and it is as Zhuangzi discussed in "Qi thing Theory". The world is made up of small things, each kind of "thing" has its existence value; Things come from Tao, and "Tao is one", which coincides with the thought of sending emotion to things in "still life painting". On the one hand, this paper analyzes and discusses "still life painting" from the perspective of painting; On the other hand, through the explanation of the key words "element" and "Jing", the cultural connotation and the special meaning in the modern and contemporary artistic environment are carried by the body taste in this kind of "still life painting". Second, this article involves two aspects of philosophy, aesthetic concepts and works, based on the oriental aesthetic interest. And in the process of writing cited Western theoretical support. Through the relevant theories and paintings to read and explore, break the geographical restrictions, sort out some of the works with similar emotions. On the one hand, the category of "still life painting" in this paper is classified and considered by artistic conception and interest; On the other hand, this paper analyzes and reinterprets this kind of "still life painting" based on "Su" and "Jing". Third, the rapid development of today's society, the convenient flow of information makes the earth become smaller and smaller. In the contemporary, a large number of cultural information in life, enriched cultural life. But from another perspective. In this kind of atmosphere, how to keep a quiet heart, how to make a rational and objective choice. How to protect their inner cultural power is particularly important, while the traditional Chinese philosophy of "emptiness" and "nothingness" advocated by the spirit of Buddhism and Taoism. Then with the great wisdom of the East, we find a way to retain the inner cultural energy. The "element" and "quiet" in painting are both simple and quiet flowing on the screen. This part of the painting works involved in this paper, although for the description of the image of the work, but its simple, quiet and distant style, as a good medicine for the heart. This part of the works may be slightly dull, not eye-catching, but it is still one of the visual phenomena worthy of our attention. Has the irreplaceable existence significance.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J211.27

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