中西传统人物绘画色彩比较研究

发布时间：2018-01-31 16:03

本文关键词： 人物绘画色彩传统　出处：《西北民族大学》2014年硕士论文　论文类型：学位论文

【摘要】：中西方传统人物绘画在不同的文化意识与审美理念下形成了不同色彩观念、不同视觉感受的绘画形式。两者绘画色彩观念的形成究其根源是中西方不同的哲学观和美学理念,西方传统人物绘画注重科学性,认为科学性伴随着西方传统人物绘画色彩的发展；中国传统人物绘画崇尚“意”,始终表现着传统文人对社会的审美意识,两者比较的现实意义在于交流与融合后形成的审美情趣。本文依据中国传统卷轴、水墨写意人物画与西方传统人物油画的形成和色彩发展演变过程；中国传统人物绘画色彩产生根源；以及中西传统人物绘画色彩观念、技法表现语言、空间和色彩表现特点等几个方面比较研究两者的异同,把绘画色彩的形式语言作为研究重点。分析两者的差异性、思想和文化背景,最后论述比较研究的现实意义。通过两者的比较研究,旨在研究与探索中国人物油画色彩创作的目的,以西方油画的科学精神、技法和绘画材料为载体,使油画表现语言中国民族化的精神,符合中国人的审美情趣,体现了民族文化的审美价值。
[Abstract]:Chinese and Western traditional figure painting in different cultural consciousness and aesthetic concept under the formation of different color ideas. Painting forms of different visual feelings. The origin of the two painting color concepts is the different philosophical and aesthetic concepts between China and the West, and the western traditional figure painting pays attention to the scientific nature. It is believed that the scientific nature is accompanied by the development of the color of traditional western characters. Chinese traditional figure painting advocates "meaning" and always shows the traditional literati's aesthetic consciousness to the society. The realistic significance of the two comparison lies in the aesthetic interest formed after the exchange and fusion. This article according to the Chinese traditional scroll, the Chinese ink brushwork figure painting and the western traditional character oil painting formation and the color development evolution process; The origin of Chinese traditional figure painting color; As well as the Chinese and Western traditional figure painting color concept, the technique expression language, the space and the color performance characteristic and so on several aspects compares and studies the two similarities and differences. This paper focuses on the formal language of painting color, analyzes their differences, thoughts and cultural background, and finally discusses the practical significance of comparative study. Through the comparative study of the two, this paper aims to study and explore the purpose of the color creation of Chinese characters oil painting, taking the scientific spirit, techniques and painting materials of western oil painting as the carrier to make the spirit of Chinese nationalization of the oil painting performance language. In line with the Chinese aesthetic taste, reflects the aesthetic value of national culture.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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