风景的美学价值与中国风景油画的图像建构

发布时间：2018-02-06 06:44

本文关键词： 风景图像艺术态度图像建构主观认知秩序安排图像再现　出处：《河北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文是作者于现实生活中所见的一个普遍的“游客现象”所引发的一系列思考并开始进行思辩和论证的过程。通过观光者运用摄影设备拍摄“风景”开始,思考其是否具有美学价值或者具有怎样的美学价值,再至“风景”与“图像”的关系问题并引申出风景的最佳表现形式及对于绘画而言的重要价值问题,并在解决这一问题的基础上结合自身所学和本身衷于对风景油画艺术探索的热情,展开了针对有关当下“风景油画的图像建构”这一更具专业素养的命题的研究论证,而对该问题的研究亦是本文的核心,其旨在希望更好的说明和解决处在多元化发展的绘画艺术领域中,艺术家与风景油画创作这一传统绘画艺术学科两者间的关系问题和与之相关的艺术创作问题,丰富风景画研究创作的理论知识,为提升风景画的艺术品质提供可能。通过运用文献研究法、定性分析法以及案例分析法等主要的论文研究方法使得这一连贯的整体的论证过程更具真实可靠性,而且这也一过程是对本人学习绘画艺术中所遇到的一些具体疑问的梳理和自我剖析性解答。正文从引言开始便详细阐释了“游客现象”的内容,其中所涉及到风景美学问题、绘画艺术问题及社会现实问题便成为了做该研究论文的出发点。随后,第一章对“风景”、“图像”进行词源学的解读并进行含义梳理再结合现代生活中的实际案例运用艺术史学和艺术美学理论中的前人经验和自身感悟来分析“风景”与“图像”的关系,以此来论证得出风景就是一种美感图像表述这一结论以便来更好的承接油画对于风景而言的重要价值的问题研究。第二章在文章中发挥着承上启下的重要作用,笔者首先站在西方艺术的史实角度,总结出了某些具有代表性的案例来探寻西方艺术家们在油画的艺术创作中对风景的态度转变原因以此找到风景对油画艺术的重要价值;其次,立足当下所处的中国文化背景在中国风景油画发展现状中找寻对于中国文化而言风景油画的特殊意义及研究的必要性,最后结合本章内容肯定了就风景而言油画就是极具艺术价值和美学价值的一种视觉艺术载体。第三章是紧密结合上章并以首章部分研究内容为基础,笔者主要导入借用了瑞士的皮亚杰所创立的建构主义(又称结构主义)理论中的一个重要概念——“图式——指个体对世界的知觉理解和思考的方式”这一理论及其后来者斯腾伯格和卡茨等人主张并强调的“个体的主动性在建构认知结构过程中的关键作用”这一重要学术观点,并结合笔者本人在英国的理查德·沃尔海姆的“看似”与“看进”学说中的认识就风景油画的图像建构划分为三个部分:创作主体的主观认知、客体象征物的秩序安排、目的性的图像再现,并逐一就各部分内容进行了阐述并结合中国风景画家的实例进行了分析,验证了风景油画优美的诗意属性。随后对图像建构的作用和意义进行归纳,并沿用实例分析法进行了详细阐述和强调。至第四章便是对图像建构在笔者自身的油画创作中的运用和启示,结合创作和写生作品分析论述,再次表明了对风景油画的图像建构进行研究的可行性和必要性。
[Abstract]:This is a universal "tourists" phenomenon in real life the authors see a series of reflections on and start thinking and argumentation process. Through the use of photographic equipment shooting tourists "scenery", thinking whether it has the aesthetic value or aesthetic value is how the relationship to "landscape" and the "image" and how scenery the best form and important value for painting, and on the basis of the solution of this problem with my own knowledge and keen to explore itself to the landscape painting art enthusiasm, launched the "contemporary landscape painting image building" a more professional the proposition of literacy, and the research on this problem is also the core of the paper, which aims to better explain and solve the hope in the diversified development of the art of painting in the art field. Relationship between home and landscape oil painting in the traditional painting art between the two disciplines and related art creation, theoretical knowledge research of landscape painting, landscape painting can enhance artistic quality. By using the methods of literature research, qualitative analysis is the main research method and case analysis method such as this is a coherent whole process of argumentation more authenticity, and it is a process of learning I encountered in the art of painting some specific questions and answers. Self analysis combing the text from the introduction will begin with the interpretation of the "tourist phenomenon", which relates to the aesthetics of landscape painting. Art problems and social problems will become the starting point of the research. Then, the first chapter of "scenery", "image" interpretation of etymology and meaning Carding combined with modern life in the case of using the experience of art history and art aesthetics in the theory of predecessors and Its Inspiration to analyze the relationship between "landscape" and "image", in order to demonstrate that the scenery is a kind of aesthetic image representation this conclusion to research on the problem of bearing important value in relation to the landscape painting with the better to the second chapter plays the important role in the article, the author first station in the western art historical perspective, summed up some representative cases to explore the western artists in the painting in the artistic creation of landscape in order to find the reason for the change of the attitude of the art of painting landscape important value; secondly, based on the moment the China cultural background in the current development of landscape painting in Chinese find necessary to Chinese culture special significance and research of landscape painting. Finally, this chapter certainly is a kind of visual art landscape painting is the carrier of great artistic value and aesthetic value. The third chapter is closely combined with the last chapter and the first chapter of content based constructivism, the author mainly borrowed into Switzerland founded by Piaget (also known as structuralism theory) an important concept in "schema refers to the perception of the world and understand the way of thinking" this theory and later Sternberg and Katz advocated and emphasized the individual initiative in the construction of cognitive structure in the process of the key role of the important academic point of view, combined with the author in the UK Richard Wall's "look" and "see" in the theory of knowledge on landscape painting image construction is divided into three parts: the subjective cognition of the creation of the main object, like Arrange the sign the order and purpose of image reproduction, and is one of the contents of each part are described and examples Chinese landscape painters were analyzed, verified the beautiful landscape painting poetic property. Then the function and significance of image construction were summarized, and use case analysis method in detail and emphasis. To the fourth chapter is on the image construction of the use and Enlightenment in the creation of oil painting in the author's own, combined with creative and works analysis, once again that the image of landscape painting construction necessity and feasibility study.

【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

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