唐代山水画与山水诗的关系

发布时间：2018-02-07 10:46

本文关键词： 山水画山水诗诗画融合关系　出处：《山东理工大学》2014年硕士论文　论文类型：学位论文

【摘要】：唐代山水画与山水诗是中国传统艺术中两株各有千秋的艺术奇葩，本文从山水画与山水诗的文化背景与审美特征、山水画与山水诗的意境表现及相互作用、诗画关系的融合、诗画结合的美学意义及文化影响等方面论述了二者密不可分、相得益彰的关系。山水画与山水诗之所以有如此多的一致性和融通性，主要在于画家与诗人都深受中国传统文化的影响，有着相同或相似的审美理想、审美情趣和审美追求。把自然美、写意美、意境美融为一体的艺术风格，寓情山水，追求精神和人格理想的自然超脱，使二者不仅有了艺术神韵上的相似性，也使二者有了内在精神气质上的相同性。唐代山水画与山水诗独特的艺术表现手法和艺术神韵，，特有的美学价值和人文精神，是民族的，也是世界的，值得我们世代传承。
[Abstract]:Landscape painting and landscape poetry in Tang Dynasty are two unique works of art in Chinese traditional art. This article is based on the cultural background and aesthetic characteristics of landscape painting and landscape poetry, the artistic conception and interaction between landscape painting and landscape poetry, and the combination of poetry and painting. The aesthetic significance and cultural influence of poetry and painting are discussed in this paper. The reason why there is so much consistency and compatibility between landscape painting and landscape poetry is that both painters and poets are deeply influenced by Chinese traditional culture and have the same or similar aesthetic ideals, aesthetic tastes and aesthetic pursuits. The artistic style of combining freehand brushwork and artistic conception, the natural detachment of the pursuit of spirit and personality ideal, makes the two have not only the similarity of artistic charm, but also the similarity of inner spiritual temperament. Tang Dynasty landscape painting and landscape poetry unique artistic expression and artistic charm, unique aesthetic value and humanistic spirit, is national, but also the world, worthy of our generations.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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