巴洛克绘画的视觉隐喻研究

发布时间：2018-02-09 14:18

本文关键词： 巴洛克绘画视觉隐喻一般性特殊性隐喻类型　出处：《山东大学》2014年硕士论文　论文类型：学位论文

【摘要】：西方绘画并非刻板复制自然、描述人物,在简单的画面之中往往可以分析出一个时代的理念和思想。巴洛克绘画在绘画史上意义重大,画师辈出、画作深刻,而且这一阶段绘画中常见的素材都可以被纳入一定的系统之中。文章便是将这些素材均纳入到视觉隐喻的系统之中,把视觉隐喻定义为同概念隐喻相关的一种思维方式,视觉主体通过视觉意象来理解和体验看不见的、难以捉摸的本体,这种思维方式是人们脑海中固有的,从原始思维到现代的种种视觉表达,都可以看出视觉隐喻在表达和交流中的重要性。视觉隐喻在绘画上的具体表现是意象。据阿恩海姆的视知觉理论,意象既有具体性,也有抽象性,绘画善于用具体的意象来表现抽象的理念,意象与理念相互映射构成视觉隐喻并等待观者解读。解读既可以从线条、空间、色彩等知觉刺激物入手,也可以对画面中的意象进行分类分析。视觉隐喻的理论可以通过莱考夫等人的概念隐喻来理解,用“源域”映射“目标域”,通过视觉隐喻的解读,我们能更好地理解绘画这门隐喻的艺术。其次,借助于视觉隐喻理论,可以证明巴洛克绘画在视觉隐喻方面的特殊性。不同于过去封闭的、单独的空间,巴洛克空间更加开放且变动,主要原因是当时的画家倾向于图绘风格和明暗对照法；色彩在这一阶段也渐渐脱离形体,画家们在画中大量使用自己喜欢的色彩并且对色彩十分重视,一些画家甚至不惜使用“四级亮度”刻画色彩,脱离形体的色彩在画面中极有诗意,抒情意味浓厚。最后,对巴洛克绘画中常见的视觉隐喻进行分类,这里把意象简单分为视觉符号、生命体、人物动作以及绘画行为。在对这些类型的解读中,可以发现画家的意图、当时的社会状态以及延伸出的内涵。但是,我们对光圈、烛光、凝视、微笑、生命体的理解永远都是解释的一种,我们无法还原绘画中隐喻的各个意义层次,甚至会因为我们的知识结构、自身的艺术素养乃至特定的生理机制对其中的隐喻产生误解,然而,在艺术中,这种误解是美妙的,是可以存在的。
[Abstract]:Western painting does not stereotype nature, describe people, in simple pictures can often analyze the ideas and ideas of an era. Baroque painting in the history of painting is of great significance, painters, paintings deep, Moreover, the common materials in this stage of painting can be incorporated into a certain system. This article is to bring these materials into the system of visual metaphor, and define visual metaphor as a mode of thinking related to conceptual metaphor. The visual subject understands and experiences the invisible and elusive ontology through visual images. This mode of thinking is inherent in people's minds, from primitive thinking to modern visual expressions. We can see the importance of visual metaphor in expression and communication. According to Arnheim's theory of visual perception, imagery is both concrete and abstract, and painting is good at expressing abstract ideas with concrete images. The mutual mapping of images and ideas constitutes visual metaphors and waits for the viewer to interpret them. Interpretation can be started with perceptual stimuli such as lines, spaces, colors, etc. The theory of visual metaphor can be understood by Lakoff's conceptual metaphor, "source domain" mapping "target domain", and through the interpretation of visual metaphor. We can better understand the metaphorical art of painting. Secondly, with the help of the theory of visual metaphor, we can prove the particularity of Baroque's painting in the aspect of visual metaphor. Different from the closed and separate space in the past, Baroque's space is more open and changeable. The main reason was that the painters at that time tended to draw the style and contrast the light and shade; the color was gradually disconnected from the form at this stage, and the painters used a lot of the colors they liked and attached great importance to the colors. Some painters even use "four levels of brightness" to depict color, which is poetic and lyrical in the picture. Finally, it classifies the common visual metaphors in Baroque's paintings, where images are simply divided into visual symbols, life forms, character movements and painting behaviors. In the interpretation of these types, the artist's intention can be found. But our understanding of aperture, candlelight, gaze, smile, life is always a form of explanation, and we can't restore all the meanings of metaphor in painting. Even because of our knowledge structure, our own artistic literacy and even the specific physiological mechanism, we can misunderstand the metaphor in it. However, in art, this misunderstanding is wonderful and can exist.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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