民国海派普通画家的自我身份认同——以洪庶安为例

发布时间：2018-02-09 17:06

  本文关键词： 海派 普通画家 洪庶安　出处：《美术》2017年03期 　论文类型：期刊论文

【摘要】：在海派画家群体中,普通画家与著名画家的生存状态大相径庭,他们为了实现社会身份的认同,必须经常性地参与公共事务。本文以洪庶安为例,揭示海派普通画家通过参加各种性质的展览会,参与各种艺术社团活动等,获得身份认同,并通过书画赈灾等慈善行为尽画家的社会责任。普通画家的这些行为,既是他们自我身份认同的途径,也是民国时期海派艺术繁荣景象的重要组成部分。
[Abstract]:In the group of Shanghai painters, the living conditions of ordinary painters and famous painters are quite different. In order to realize their social identity, they must participate in public affairs regularly. It is revealed that ordinary painters of the Shanghai School acquire identity by participating in exhibitions of various kinds, participating in various artistic community activities, and performing the artist's social responsibility through charitable acts such as calligraphy and painting for disaster relief. These acts of ordinary painters, It is not only the way of their self-identity, but also an important part of the prosperity of the art of Shanghai school in the period of Republic of China.
【作者单位】： 江西师范大学美术学院;
【分类号】：J203
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本文编号：1498429