临摹,作为中国画传承方式

发布时间：2018-02-10 00:41

  本文关键词： 笔墨 阴阳 临摹 中国画 传承　出处：《艺术评论》2017年10期 　论文类型：期刊论文

【摘要】：中国画的历史传承体现在媒材、技巧与观念三个体系之中。作为媒材的毛笔、宣纸、墨及中国画颜料,决定了中国画以"笔墨"为核心的语言形态,以及以道家"阴阳"学说为内核的哲学思维,中国画也因此具有由"器"入"道","道""技"合一的文化表征。当代中国画家正是通过临摹而熟稔、亲和中国画的笔墨工具,理解、掌握中国画从用笔到章法的技巧语言,进而体认、参悟中国画的意象思维及文化意蕴。因此,临摹并非仅是形式追摹,它更是中国画从工具到精神综合系统的自觉传承。
[Abstract]:The historical heritage of Chinese painting is embodied in three systems: media, skills and concepts. As a medium, brush, rice paper, ink and Chinese painting pigments determine the linguistic form of Chinese painting with "brush ink" as its core. As well as the philosophical thinking based on the Taoist theory of "Yin and Yang", Chinese painting also has a cultural representation of the integration of "Dao" into "Tao" and "Tao" and "skill". It is through copying that contemporary Chinese painters are familiar with the tools of Chinese painting. To understand and master the technical language of Chinese painting from pen to form, and then to realize and understand the image thinking and cultural implication of Chinese painting. Therefore, copying is not only a form of tracing, but also a conscious inheritance of Chinese painting from the tool to the spiritual comprehensive system.
【作者单位】： 中国艺术研究院美术研究所;
【分类号】：J212
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本文编号：1499248