论造型艺术中“看不见”的部分

发布时间：2018-02-13 19:39

本文关键词： 触觉感潜结构分寸时代精神潜意识圈子　出处：《思想战线》2017年05期 　论文类型：期刊论文

【摘要】：造型艺术自然是视看的艺术,但其精义往往结穴在那些"看不见"的部分,自形式而言,造型艺术中有触觉感的线条,画"转过去"的体量,计白当黑的负空间,画面中的隐含结构与"势""力",从最微小的笔触、到中观的结构、再到宏观的风格"相反而能相成"的融合"分寸",都是"看不见"的部分。从内容而言,作品背后往往隐含着"时代精神"和艺术家"潜意识";"时代精神",尤其是时代意识形态,会深入积淀到艺术家的"潜意识",对其进行内在规束与说服,形成艺术作品中本应该说出来、却没有说出来的一些"裂隙"与"空白",自然就成了"看不见"的部分;落实而言,艺术作品是艺术家圈子"一切社会关系的总和",凝结在作品中的某些"社会关系",也成为"看不见"的部分。由此可知,艺术学迄今有一条尚未言明的重要原理:中外造型艺术经典中"看不见"的部分,往往决定了"看得见"的部分。在今天这个机械图像横行的"视觉中心主义时代",我们重新思考和品味经典艺术中"看不见"的部分,对艺术学界之专业探究,以及整个社会视觉教养之提升,皆有饶深意义。
[Abstract]:Of course, plastic art is the art of viewing, but its essence is often in the "invisible" parts. In form, the plastic arts have tactile lines, the volume of painting "turning past," and the black negative space. The implicit structure in the picture and the "force" in the "potential" are all "invisible" parts, from the smallest strokes to the meso structure, to the integration of the macroscopic style of "mutually complementary". Behind the works are often implied the "spirit of the times" and the "subconscious mind" of the artist, and the "spirit of the times", especially the ideology of the times, will deeply accumulate into the "subconscious" of the artist, and they will be subjected to internal rules and persuasion. The formation of some "cracks" and "gaps" in works of art that should have been said, but not yet, naturally became the "invisible" part; in practice, Art works are "the sum total of all social relations" in the circle of artists, and some "social relations" condensed in the works also become "invisible" parts. There is an important principle in art that has not yet been stated: the "invisible" part of the Chinese and foreign plastic arts classics. In today's "visual centrism" era of mechanical images, we rethink and savor the "invisible" part of classical art, and explore the art profession. As well as the whole society visual upbringing promotion, all have the profound significance.
【作者单位】：云南大学艺术与设计学院;云南大学历史与档案学院;
【分类号】：J205

【相似文献】