元代绘画题跋艺术探究

发布时间：2018-02-13 21:07

本文关键词： 元代题跋创作旨趣审美意蕴　出处：《山东理工大学》2014年硕士论文　论文类型：学位论文

【摘要】：题跋作为中国画独特的表现形式，日渐成为一种成熟的艺术语言，成为中国画不可或缺的一部分，将中国画的发展引入了一个更高的审美境地。它不仅以其独特的艺术魅力丰富着画面，同时也以其深厚的文学内涵承载着画家的精神寄托，可以说题跋对了解一个时期的文学艺术发展状况有重要作用，也为从另一个侧面了解画家当时的审美活动提供一个新的视角。元代也正值题跋发展兴盛期，鉴于题跋有此重要作用，在此就以元代绘画中的题跋为研究对象从其兴起缘由、阶段性发展概况及其审美意蕴等方面做一个全方位的审视和深层次的挖掘，探析题跋是怎样淋漓尽致表达作者思想情感和旨趣。本文还通过对元代题跋的深层剖析来探究题跋对绘画的作用，以此也来明晰题跋是怎样为绘画“适时增援”的。本文通过资料搜集、网页浏览加之自我理解和分析对题跋的定义进行了梳理阐述，并理清题跋的阶段性生发演变历程。其发展进程从唐以前承载着政治宣教功能的题跋到“款识石隙”的宋代题跋直至到“相袭成风、附丽成观”的元代题跋。元代题跋不仅在构成形式上不断丰富，而且在表达内容上也发生着深刻的变化。元代题跋在表达内容上的特点是在意境追求上逐渐演变成对隐居生活的向往；在主题选择上逐渐演变成对隐逸情思的表达；在思想情怀上逐渐演变成对自我情感的宣泄。正是因异族统治、政治社会意识形态的转变、文化政策的外部滋养、文学艺术的内部孕育、文人士大夫的大力支持等多重因素的交织促成了这一繁盛局面的骤变。不仅如此，本文对元代题跋的审美意蕴还从书体选择和构成形式方面进行了综合探析，阐释了题跋对绘画的审美添加。在元代题跋的巨大影响下，明清直至近代绘画题跋也受着潜移默化的影响，，题跋与绘画的融合也越发自然和成熟。本文的创新点在于对元代题跋发展原因进行了全面的整合梳理和分析，对元代题跋的表达内容和形式进行了归类，并对题跋的审美意蕴进行了简略阐述。
[Abstract]:As a unique form of expression of Chinese painting, inscriptions are becoming a mature artistic language and an indispensable part of Chinese painting. It not only enriches the picture with its unique artistic charm, but also carries the artist's spiritual sustenance with its profound literary connotation. It can be said that inscriptions play an important role in understanding the development of literature and art in a certain period, and also provide a new perspective for understanding the aesthetic activities of the painters at that time from the other side. In view of the important role of the subject and postscript, this paper takes the subject and postscript of the Yuan Dynasty as the research object from the aspects of the reason of its rise, the general situation of its stage development and its aesthetic implication, and makes a comprehensive examination and deep excavation. This paper explores how the postscript can express the author's thoughts, feelings and purport. Through the deep analysis of the postscript of the Yuan Dynasty, this paper also explores the function of the postscript to the painting, so as to clarify how the postscript "reinforces in good time" for the painting. In this paper, through data collection, web browsing and self-understanding and analysis of the definition of postscript are combed and elaborated. The process of its development is from the political prelude before the Tang Dynasty to the Song Dynasty's inscription and postscript of "recognizing the Stone Gap" until the style of "inheriting the style". The postscript of the Yuan Dynasty, which is not only enriched in the form of composition, Moreover, profound changes have taken place in the content of expression. The characteristics of the title and postscript of the Yuan Dynasty are the gradual evolution of the pursuit of artistic conception into the yearning for living in seclusion, the gradual evolution of the choice of theme into the expression of seclusion; It is precisely because of alien rule, the transformation of political and social ideology, the external nourishment of cultural policy, and the internal breeding of literature and art. The interweaving of many factors, such as the strong support of literati and officials, contributed to the sudden change of this prosperous situation. Not only that, the aesthetic implication of the inscriptions and postscript of Yuan Dynasty was also comprehensively analyzed from the aspects of the choice of calligraphy style and the form of composition. This paper explains the aesthetic addition of the inscriptions to painting. Under the great influence of the inscriptions of the Yuan Dynasty, the inscriptions of the Ming and Qing dynasties and the modern times were also influenced by the subtle influence. The innovation of this paper lies in the comprehensive integration and analysis of the reasons for the development of the postscript of the Yuan Dynasty, and the classification of the expression content and form of the postscript of the Yuan Dynasty. At the same time, the aesthetic implication of postscript is briefly expounded.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

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