试论李可染山水画的形式美

发布时间：2018-02-16 02:05

本文关键词： 李可染中国山水画形式美美学价值　出处：《兰州大学学报(社会科学版)》2017年01期 　论文类型：期刊论文

【摘要】：李可染是享誉世界的艺术大师,是中国画坛史上颇具影响力的代表人物之一,他的作品已成为近现代美术史的经典。他自幼习画,深受林风眠、潘天寿影响,并师从齐白石、黄宾虹学画。他擅长山水、重视写生,将西画中光的明暗对比处理方法引入中国画。在对李可染个人和作品的研究中,本文试图从形式美的视角入手,探讨李可染山水画的形式关的具体表现。李可染山水画的形式美主要体现在题材鲜明的形式美,构图满密的形式美,线条金铁的形式美,笔墨雄厚的形式关和赋彩浓重的形式美五个方面。对李可染山水画形式探讨的意义,一是可以丰富有关李可染个人及作品的研究成果,二是对于中国山水画的创新与发展具有指导性的意义,三是发扬光大中国山水画的美学价值。
[Abstract]:Li Keran is a world-renowned master of art and one of the most influential representative figures in the history of Chinese painting. His works have become a classic in modern art history. Huang Binhong studies painting. He is good at landscape, attaches importance to sketching, and introduces the method of contrast of light and shade in western painting into Chinese painting. In the study of Li Keran's personal and works, this paper tries to start from the perspective of formal beauty. Discussing the concrete manifestation of the form of Li Keran's landscape painting. The formal beauty of Li Keran's landscape painting is mainly embodied in the vivid form beauty of the subject matter, the dense formal beauty of the composition, the formal beauty of the line, the gold and iron, the form beauty of the line and the iron and iron. There are five aspects of formal beauty in the rich form of pen and ink. The significance of discussing the form of Li Keran's landscape painting is that, first, it can enrich the research results on the individual and works of Li Keran. Second, it is of guiding significance for the innovation and development of Chinese landscape painting, and the third is to carry forward the aesthetic value of Chinese landscape painting.
【作者单位】：清华大学美术学院;
【分类号】：J212

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