克里姆特寓意画中的女性与蓝色

发布时间：2018-02-20 22:31

本文关键词： 克里姆特寓意画主题女性蓝色　出处：《华中师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：随着全球化的不断推进带来的文化交流,艺术领域的交流也在繁荣中更加向上发展,与之所形成的文化艺术的全球语境也成为一种艺术之间理解与融合的艺术语言的需求。艺术与文化不同,它不需要语言文字作为桥梁,也不会因为各国语言的不同而要进行翻译,它有着自我的独特性,如音乐不需要语言,当你倾听它时能感到它所表达的悲伤和快乐。绘画作品也是一样,当欣赏者站在它面前进行审美活动时,它所传达的情感也不需要语言的交流而能被人感知,这就是画面内容、画外形式以及所包含的艺术语言的作用。色彩作为艺术语言中最能直接刺激视觉的一种,它与人的经历和社会经验等方面共同作用形成的一定的情感体验。古斯塔夫·克里姆特是十九世纪维也纳新艺术运动的艺术大师,他的油画作品总是充满着绚丽的色彩,并且与他的画中唯一的主角女性和画面的主题有着隐秘复杂的关系,本文试图来分析和探究其中关于蓝色的运用与画面内容与形式的关系,希望通过这些研究能够帮助自己在毕业创作时对色彩的准确运用和判断色彩去情感的关系。全文共分六部分：第一部分是绪论,以国内外研究为主线。文章探究了各个时期对克里姆特绘画上对主题、作者的心理、绘画的风格、画中的女性主义系统作了一个大致梳理,以为后文关与画面情感和女性形象与主题的关系作铺垫。第二部分是以介绍克里姆特寓意性画主题产生发展历程和女性主题的形成为内容。文章首先将克里姆特的绘画作品进行一个分类；其次,对寓意性画主题以及产生的原因做进行了阐述；最后是对画面主题死亡与爱欲和画面中女性之间的关系做一个简单分析。第三部分以阐述寓意画中的蓝色为核心。文章通过对上部分主题产生发展的历程来分析其女性在画面上角色定位,进一步蓝色与女性特质之间的关系。通过研究和总结蓝色在画面上的形式表现和蓝色与代表性的金色之间的色彩对比关系来将画面的蓝色做一个系统的归纳。第四、五部分是画面中的蓝色与女性特质的细致分析、中西方色彩观的简述。前一部分将画面上的蓝色与女性不同的特质进行了分类和论述。后一部分画面中对中国传统色彩和日本浮世绘的借鉴、西方传统与发展变化的蓝色色彩观的分析第六部分以总结色彩在油画创作中的重要性主要内容。首先说明了色彩作为艺术语言的独特性与画面情感传递的重要性；然后文章根据前文对相关问题的介绍与阐述,在分析当代油画中对色彩的运用中学习与借鉴。
[Abstract]:With the continuous development of globalization, cultural exchanges have been brought about, and exchanges in the field of the arts have also increased in the course of prosperity. The global context of culture and art has also become the need for an artistic language to be understood and integrated between arts. Art, unlike culture, does not require language and writing as a bridge. It doesn't have to be translated because the language is different from country to country. It has its own uniqueness, such as music doesn't need language, and when you listen to it, you can feel the sadness and joy it expresses. When the viewer stands in front of it for aesthetic activities, the emotions it conveys can also be perceived without the need for language communication, which is the content of the picture. The role of the off-picture form and the artistic language contained in it. Color, as one of the most direct visual stimuli in artistic language, In 19th century, Gustav Klimt was the art master of the New Art Movement in Vienna, and his paintings were always full of brilliant colors. And with his painting of the only protagonist female and the theme of the picture has a hidden and complex relationship, this paper attempts to analyze and explore the use of blue and the picture of the content and form of the relationship, Through these studies, I hope to help myself to use color accurately and judge the relationship between color and emotion. The thesis is divided into six parts: the first part is the introduction, with the domestic and foreign research as the main line. The feminist system in the painting makes a rough combing, laying the groundwork for the relationship between the later text and the emotion of the picture and the female image and the theme. The second part is to introduce the development of the theme of Klimt's moral painting and the formation of the female theme. Firstly, the thesis classifies Klimt's painting works; secondly, This paper expounds the theme of moral painting and its causes, and finally makes a brief analysis of the relationship between the theme of death and love and the relationship between women in the picture. The third part takes the blue in the moral painting as the core. The article analyzes the role orientation of the female in the picture through the development process of the above part of the theme. By studying and summarizing the formal expression of blue on the screen and the color contrast relationship between blue and representative gold, this paper makes a systematic summary of the blue of the picture. The 4th, five parts are the detailed analysis of the blue and female characteristics in the picture. The first part classifies and discusses the different characteristics of blue and female on the screen. The latter part draws lessons from the traditional Chinese color and the Japanese picturesque. An Analysis of the Blue Color View of Western tradition and Development. Part 6th summarizes the main content of the importance of color in oil painting creation. Firstly, it explains the uniqueness of color as an artistic language and the importance of picture emotional transmission. In the analysis of contemporary oil painting in the use of color learning and reference.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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