浅析马远“一角”山水画中的诗情画意

发布时间：2018-02-20 23:18

本文关键词： 山水画南宋画院马远一角诗画融合　出处：《浙江师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：诗画自古虽是不同的两种艺术形式,但二者在传统中国画的表现中却是密不可分的。自古无论诗人或是画家,他们对于自然万物的体会与感慨,都会付诸于诗里或是画中,诗人爱赏画,画家喜题诗,二者相结合才能更为详尽的表达艺术家的所思所想。艺术与文学都是相通的,艺术家们对社会、自然以及人生的思考和认识以诗或画等方式表现出来,而诗歌与绘画二者之间的联系随着社会发展变得异常紧密,它们于内容和形式上互相渗入影响,融会贯通,这些在南宋著名画家马远身上表现得尤为具体而突出。马远在继承前人笔墨的基础上,脱离了原有的院体画范式,独创“一角”式山水画构图,以大量“留白”来突显南方山水的空灵秀丽之美,并将诗意内涵巧妙的融汇于画面之中,使得画面意境高远而含蓄,开创了新的南宋院体风格,使南宋院体画走向了当时画坛的主导地位,对后世山水画都产生了极其深远的影响。本文以马远的“一角”式山水画中的诗情画意作为主要研究对象,从魏晋时期山水画的萌芽到南宋山水画之变,解读山水绘画的演变对马远的影响。再以马远的几幅代表性作品来分析他的山水画中构图的创新性结合,以及马远山水画中的诗画融合现象,并探寻二者之间的联系,解析其中蕴含的美学原理,体会其诗意绘画中的深远意境与情怀。
[Abstract]:Poetry and painting are two different forms of art since ancient times, but they are inseparable in the performance of traditional Chinese painting. Since ancient times, whether poets or painters, their experience and feelings for everything in nature will be put into poetry or painting. Poets love to appreciate paintings, painters like poems, the combination of the two can be more detailed expression of the artist's thoughts and thoughts. Art and literature are interlinked, artists to society, The thinking and understanding of nature and life are manifested by poetry or painting, and the relationship between poetry and painting becomes very close along with the development of society, and they infiltrate into each other in content and form. These were particularly specific and prominent in Ma Yuan, a famous painter of the Southern Song Dynasty. On the basis of his predecessors' paintings, Ma Yuan broke away from the original pattern of the courtyard painting, and created the original composition of the "corner" style landscape painting. With a large number of "white space" to highlight the beauty of the southern landscape, and the poetic connotation of the clever fusion in the screen, making the artistic conception of the picture high and implicit, creating a new style of the Southern Song Dynasty, It makes the style painting of the Southern Song Dynasty go to the leading position of the painting world at that time, and has a profound influence on the landscape painting of later generations. This article takes the poem and painting in Ma Yuan's "one corner" style landscape painting as the main research object. From the germination of landscape painting in Wei and Jin dynasties to the change of landscape painting in Southern Song Dynasty, this paper interprets the influence of the evolution of landscape painting on Ma Yuan, and then analyzes the innovative combination of composition in his landscape painting with several representative works of Ma Yuan. And Ma Yuan landscape painting in the poetry and painting fusion phenomenon, and explore the relationship between the two, analysis of the aesthetic principles contained therein, to understand the profound artistic conception and feelings in his poetic painting.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212

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