从文化角度分析班克西的模板涂鸦作品中的社会发声

发布时间：2018-02-24 14:39

本文关键词： 班克西社会发声模版涂鸦符号学亚文化沟通颠覆　出处：《广东外语外贸大学》2014年硕士论文　论文类型：学位论文

【摘要】：本论文从文化角度对班克西的模板涂鸦中的有意构建出的符号所传达出的社会发声进行了分析。论文以罗兰巴特的符号学理论以及迪克赫伯迪格的亚文化理论为基础，通过对班克西模板涂鸦作品中一些蕴含深意的符号的分析，得出以下结论：班克西在其模板涂鸦作品中关注和反映了社会公平、和平和战争、全球贫困、人权保障等社会、政治问题，进而为社会底层及边缘化群体发声。此外，班克西在其模板涂鸦作品中对英国皇室禁卫军、英国女王、以及名画中的经典人物的形象进行颠覆，表达了他对权威和主流文化的抵制态度。本论文旨在围绕以下三个研究问题进行分析：一、班克西在其模版涂鸦作品中有意地建构了那些符号？二、如何对这些符号进行解码？三、班克西的模板涂鸦作品中蕴含了哪些社会发声？它们是如何构建在符号之中？为此，本论文首先以罗兰巴特的符号学理论为基础，分析班克西模板涂鸦作品产生的社会文化背景，从而理解其含义所在。此外，在迪克赫伯迪格的亚文化理论支撑下，本文继续从以下两个角度进行研究：一方面，班克西的模板涂鸦作品可视作与观众之间的一种有意沟通，另一方面，班克西的模板涂鸦作品中对权威和主流文化的颠覆体现出其亚文化风格的反叛性。班克西的模板涂鸦作品日渐受到大众的关注及追捧。班克西的作品引发了大众对社会、政治问题的关注和反思，，使其意识到了街头文化以及亚文化的文化意义。本论文结合了符号学和亚文化理论，对班克西的涂鸦作品进行了分析，对进一步探讨班克西的街头艺术的文化意义具有一定的实际研究意义。
[Abstract]:This paper analyzes the social vocalizations conveyed by intentionally constructed symbols in Banksy's template graffiti from a cultural point of view. It is based on Roland Bart's semiotic theory and Dick Herberdig's subcultural theory. Based on the analysis of some meaningful symbols in Banksy's template graffiti works, the following conclusions are drawn: Banksy's template graffiti works concern and reflect social justice, peace and war, global poverty, human rights guarantee and so on. In addition, in his template graffiti, Banksy subverts the images of the British Royal Guard, the Queen, and the classic characters in the famous paintings. Expressed his resistance to authority and mainstream culture. The purpose of this thesis is to analyze the following three questions: first, what symbols are deliberately constructed by Banksy in his template graffiti works? Second, how to decode these symbols? Third, what kind of social vocalization does Banksy's template graffiti contain? How are they built in symbols? Therefore, based on Roland Bart's semiotic theory, this thesis first analyzes the social and cultural background of Banksy's template graffiti works, so as to understand its meaning. In addition, it is supported by Dick Herberdig's subculture theory. This paper continues to study from the following two perspectives: on the one hand, Banksy's template graffiti works can be seen as a kind of intentional communication with the audience, on the other hand, The subversion of authority and mainstream culture in Banksy's template graffiti reflects the rebelliousness of his subcultural style. Banksy's template graffiti works are attracting more and more attention from the public. Banksy's works have aroused public concern and reflection on social and political issues. This paper combines semiotics and subculture theory to analyze Banksy's graffiti works. It is of practical significance to further explore the cultural significance of Banksy's street art.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】