喷砂技法在铜版画创作中的应用研究

发布时间：2018-02-25 01:25

本文关键词： 铜版画创作铜版画技法喷砂技法技法创新情感表达　出处：《东北师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：铜版画的起源可以追溯到15世纪的欧洲,在当时,意大利北部弗洛伦萨和德国北部及尼德兰地区开始盛行金银制造工艺,金银制造过程中运用到的转印技术经过演变,成为了当今国际流行的画种。铜版画发展至今已有600余年的历史,殷周时期我国的金属铸造业和镌刻技术就已得到应用,但是并没有像欧洲那样将,将铜刻技术应用到艺术创作。直到明朝意大利传教士利玛窦携带着印有宗教内容题材的铜版画到中国,才算得上是中国人在国内第一次见到铜版画作品。受生产力水平低下,经济发展缓慢以及政治因素的制约,铜版画艺术在当时并没有得到发展和传播。直到近代,赴欧洲学习回国的艺术家学成归来,带回大量西方铜版画作品及先进的铜版画制作技术,并在国内美术院校设立铜版画工作室,铜版画艺术的发展才得以正式起步。由于对创作媒材及创作技法强烈的依赖,使铜版画艺术有别于其他画种,制作程序复杂,对一些基础性的技法掌握程度直接影响到铜版画呈现出的画面效果。随着国内外广泛的交流及逐步完善的版画教学体系,国内的版画创作吸收了雕版干刻法、蚀刻技法、飞尘技法、美柔汀等精深的技法,使国内铜版画创作出的画面由粗糙到精细,线条由简单到复杂,画面层次从单一到丰富。在当今的信息时代下,铜版画艺术的发展已跨越了国别,创作的技法共同性趋于增多,差异性逐步减少,这就对中国当代铜版画创作者提出了更高的要求。即创作出更多具有代表民族性的版画作品,体现我们民族精神和时代风貌的版画作品。要达到这一目标,就需要版画家及版画教育者在创作中不断探索尝试,推陈出新,赋予版画作品更丰富的情感表达。科技的进步,促使工业技术也渐渐走向成熟并得到迅猛发展,将工业喷砂除锈技术用于艺术创作不失为一种大胆的尝试。这种尝试为丰富版画画面语言创造了机会,也为工业技术广泛应用于人们生活树立了新的方向。科学技术的革新一方面推动了物质生活需求的发展,同样也带动了精神生活向着新的方向所追求。丰富的铜版画技法在一定程度上丰富了画面,为铜版画艺术语言增添更多趣味性,也提高了人们的对美的追求。本文突破以往单纯对技法的研究,结合创作实践,大胆尝试,将工业喷砂除锈方法运用到铜版画制版创作,对喷砂技法与传统铜版画飞尘技法,美柔汀技法的共同性,差异性研究比较,为喷砂技法未来的方向做出展望。
[Abstract]:The origins of the copperplate can be traced back to Europe in 15th century, when gold and silver manufacturing techniques were developed in Florence in northern Italy and in northern Germany and in the Niederland region. Copperplate has been developed for more than 600 years. During the Yin and Zhou dynasties, the metal foundry industry and engraving technology in our country have been applied, but it is not like that in Europe. It was not until Matteo Ricci, an Italian missionary in the Ming Dynasty, brought to China a copperplate with religious content, that it was the first time that the Chinese saw a copperplate in China. The level of productivity was low. Because of the slow economic development and the restriction of political factors, the art of copperplate was not developed or spread at that time. Until modern times, the artists who went to Europe to study and return home came back to study. Bringing back a large number of Western copperplate works and advanced copperplate production techniques, and setting up a copperplate studio in domestic art schools, the development of copperplate art can only officially start. Due to the strong dependence on creative media and creative techniques, The art of copperplate is different from other kinds of paintings, the production procedure is complicated, and the mastering degree of some basic techniques has a direct influence on the picture effect presented by the copperplate. With the extensive communication at home and abroad and the gradual perfection of the teaching system of printmaking, Domestic printmaking has absorbed deep techniques such as dry engraving, etching techniques, flying dust techniques, and Mayroting techniques, so that the picture created by domestic copper prints has changed from rough to fine, and lines from simple to complex. The picture level is from single to rich. In the information age, the development of the art of copperplate has spanned different countries, and the commonality of creative techniques tends to increase, and the differences gradually decrease. This puts forward higher requirements for contemporary Chinese engraving creators. That is, to create more printmaking works that are representative of nationality and reflect the spirit of our nation and the style of our times. To achieve this goal, It is necessary for printmakers and printmaking educators to explore and try constantly in their creation, to bring forth the old and to give more emotion expression to the printmaking works. The progress of science and technology has made industrial technology gradually mature and developed rapidly. The use of industrial sandblasting to remove rust is a bold attempt to enrich the language of printmaking. It has also set a new direction for the wide application of industrial technology in people's lives. The innovation of science and technology has on the one hand promoted the development of material life needs. It also leads spiritual life to pursue in a new direction. The rich techniques of copperplate painting enrich the picture to a certain extent and add more interest to the art language of copperplate. It also improves people's pursuit of beauty. This paper breaks through the previous research on pure techniques, combines with creative practice, and tries boldly to apply industrial sandblasting to plate making, sand blasting and traditional copperplate painting. The commonality and difference of melotin technique are compared, and the future direction of sand blasting technique is prospected.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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