山水画写生中的意在笔先与意在笔后

发布时间：2018-02-25 21:31

本文关键词： 意境笔墨气韵意在笔先意在笔后　出处：《哈尔滨师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国山水画在其发展的漫长的历史时期，逐渐的从人物画的背景中独立出来成为独立的画科，山水画一直处于中国画的核心地位，在其发展的过程中，许多的山水画家对山水画写生中的笔墨效果、构图的形式、意境的生成等方面有了深刻的认识和许多创新的见解，本文主要通过山水画的构成要素来谈山水画写生中意与笔的关系，笔与意的关系即是对立的又是统一的，笔与意是艺术美的成因，笔与意的关系体现中国传统绘画的思想，，笔与意的关系是作品的气韵生动直接条件，我们在山水画的写生中如何继承前人作品中的精髓，以创新的精神处理好笔与意的关系是我们要研究和将要解决的问题。
[Abstract]:Chinese landscape painting in its long historical period, gradually from the background of figure painting to become an independent painting, landscape painting has been in the core position of Chinese painting, in its development process, Many landscape painters have a profound understanding and many innovative views on the brushwork effect, the form of composition, the formation of artistic conception, and so on. This paper mainly discusses the relationship between the meaning and the pen in the painting of landscape painting through the composing elements of the landscape painting. The relationship between the pen and the meaning is not only opposite but also unified. The relationship between the pen and the meaning is the cause of artistic beauty, and the relationship between the pen and the meaning reflects the thought of Chinese traditional painting. The relationship between pen and meaning is the vivid and direct condition of the work. How to inherit the essence of previous works in the sketch of landscape painting and how to handle the relationship between pen and meaning in the spirit of innovation are the problems that we should study and solve.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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