白晓军山水画平面构成元素与形式的运用研究

发布时间：2018-02-27 19:16

本文关键词： 白晓军山水画平面构成元素形式　出处：《广西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：中国山水画自魏晋南北朝时期形成,隋唐时期以独立画种的姿态登上中国画坛后,历经各个朝代,千百年的演进,成为中国最具影响力和生命力的画种之一。清代画家石涛有云：“笔墨当随时代”,现当代山水画领域的不少杰出画家把这这个艺术理论运用在实践中产生了很多优秀的作品。自改革开放以来,中国社会的进一步发展,中西方文化进一步交融,使中国山水画更主动的吸收了西方的艺术理念和艺术表现形式。现当代随着信息量的增大,外来文化的影响,为了适应时代的审美需求,中国山水画也在不断创新。中国山水画的发展不能一味的恪守传统,而是要在传统的基础上谋发展。当代很多山水画家在遵循中国画传统的基础上,把西方的构成理念带入中国山水画的创作中,使山水画的创作形式更加丰富。平面构成为西方设计领域三大构成之一,其丰富的构图形式带给人们极富冲击力的视觉感受。其点、线、面的基本组成元素与中国山水画中点、线的组成有着内在的联系。笔墨是中国山水画的主要运用手段,点、线在笔墨中的表现也构成了中国山水画的主要表现形式。随着中国教育的发展,当代中国山水画,也逐渐在吸取西方的平面构成元素形式,体现在点、线、面的基本组合及排列,以及空间形式的组合。在这一方面,白晓军在他的山水画创作中予以了借鉴,在作品中对其有了隐性的表现。他的作品中点、线的运用,以及空间形式的组合,在遵循中国画传统的基础上,吸收了平面构成的构成元素和构图形式,来表现桂北地区及漓江沿岸的特色风貌。他的山水画作品特色鲜明,苍茫秀美,却不拘泥于传统,很有时代感和现代感。本文以白晓军的山水画作品为例,重点研究平面构成元素和形式在他山水画作品中的运用,发现其中的规律性,为山水画的创新提供更多的借鉴。论文的第一章介绍了白晓军山水画作品风格特征的形成,首先说明了白晓军山水画作品风格形成的文化语境,是基于改革开放的时代背景下,他开始进入专业的学习和发展过程。在这样一个开放包容的时代,外来文化与中国文化的交汇,形成中西文化的交融。他在学校学习传统文化的同时,受到西方艺术理念的熏陶。另外由于长期居于桂林这样一座国际旅游名城,能够接触到大量外来的文化和理念。在这样一个环境里,加之自身喜欢尝试创新的性格,造就了他的作品风格,在传统的基础上吸收西方构成理念来表达。其次就是分析白晓军山水画作品的艺术特征,通过漓江流域的审美特质以及章法和笔墨的分析,探寻他作品中传达出的雄浑豪放的野趣和清润秀美的幽深的艺术风格。论文的第二章主要介绍白晓军山水画作品中平面构成元素与形式的运用。首先介绍他的作品与平面构成基本形式的关系,通过总体概括探究两者之间的内在联系。其次是对白晓军山水画作品中平面构成元素与形式的运用进行分析,这是本论文的重点。在这一章里,分别说明平面构成元素与形式的概念,点、线、面各元素的介绍,以及平面构成的空间形式,例如：重复、近似、渐变、发射、对比、密集等等。着重介绍白晓军山水画作品中如何运用平面构成的元素与形式,运用大量图例比较,重点分析他作品中对平面构成元素与形式的借鉴,目的在于找到中国山水画创作中运用平面构成元素与形式的规律和方法,在创作中能够更多更好的借鉴平面构成的元素和形式,在继承传统的基础上,为创新开辟一条新路。论文的第三章,说明白晓军山水画创作中运用平面构成元素与形式的意义。首先说明运用平面构成元素与形式是当代山水画创作的可能途径。基于现代人的审美需求,当代很多中国画家都借鉴了平面构成的元素和形式来进行创作,有些表现为显性的,有些表现为隐性的。在这一问题上,应该确立坚守中国传统文化立场,主动地吸收外来文化思想,把传统文化与西方现代艺术理念融合起来。其次说明平面构成元素与形式对当代山水画创新的启示。通过白晓军及其他画家的作品可以看到,在当代山水画创作中运用平面构成元素与形式进行创新思维的运用表现,并说明这种形式对当代中国山水画创新的积极意义及启示。
[Abstract]:Chinese landscape painting since the formation of the southern and Northern Dynasties, Sui and Tang Dynasties with independent painting attitude on the Chinese painting, after each dynasty, thousands of years of evolution, has become one of the most influential painting Chinese and vitality. The famous painter in Qing Dynasty, said: "when the ink with the times", many outstanding contemporary landscape painters the field of painting the art theory produced many excellent works in practice. Since the reform and opening up, further development of China society, western culture further blend, make Chinese landscape painting more active absorption of the western philosophy of art and contemporary art forms. With the increase of the amount of information, the influence of foreign culture, in order to meet the aesthetic needs of the times, Chinese landscape painting is also innovative. The development of Chinese landscape painting can not blindly with the traditional, but to seek development on the basis of the tradition. Many contemporary landscape painters, based on the tradition of Chinese painting, bring the western concept of composition into the creation of Chinese landscape painting, making the form of landscape painting richer.
A plane is one of the three major areas of western design, its rich composition form brings stunning visual experience. The point, line, surface elements and basic composition China landscape painting midpoint line consists of an internal relationship. Pen and ink is mainly used means, China landscape painting, line in the text the performance also constitutes the main form of China landscape painting. With the development of Chinese education, Chinese contemporary landscape painting, gradually assimilating western elements embodied in the form of plane, point, line, face the basic combination and arrangement, and the combination of space form. In this regard, Bai Xiaojun in the creation of his landscape in the picture to draw in the works of the implicit performance. His works the midpoint, the use of line, and combination of space form, based on the traditional painting China, absorbed yuan planeconstitution Pigment and composition form, to the performance of Northern Guangxi and Lijiang River features. His landscape paintings have distinctive characteristics, vast and beautiful, but not rigidly adhere to the traditional, very contemporary and modern. Based on Bai Xiaojun's landscape painting works as an example, focus on the use of plane constituted elements and forms in his landscape paintings the discovery of the laws provide more reference for the innovation of landscape painting.
The first chapter introduces the formation of white Xiaojun landscape painting works style, the white Xiaojun landscape painting works style formation of cultural context, is based on the background of reform and opening up, he began to enter the process of professional learning and development. In such an open and inclusive, multicultural and Chinese culture the formation of the blending of Chinese and Western culture. He studied traditional culture at the same time in the school, by the western art philosophy nurtured. In addition due to the long living in such a city of international tourism in Guilin, access to a large number of foreign culture and philosophy. In such an environment, coupled with their love to try innovative personality, style his works, on the basis of the traditional western philosophy to form expression. Second is the analysis of the artistic features of landscape painting works of Bai Xiaojun, the aesthetic qualities in Lijiang River Basin As well as the analysis of composition and ink, explore conveys his works in the bold and the beautiful deep moist rustic style.
The second chapter mainly introduces the works of landscape painting in the white plane Xiaojun formed with elements and form. Firstly, his works and plane constitute the basic form, through the summary to explore the intrinsic link between the two. The second is the use of elements and forms of graphic works of landscape painting white Xiaojun is analyzed, which is the key this paper. In this chapter, which illustrates the concept, elements and forms of planar point, line, surface elements, space form, and the plane constitute such as repetition, approximation, gradient, emission, contrast, intensive and so on. Focuses on how to use the plane constitute the elements and form of works Xiaojun of landscape painting, is the use of a large number of illustrations, focuses on the analysis of elements and form of reference plane in his works, the purpose is to find China landscape painting in the use of plane elements and shape The law and method of the style can be more and better in the creation of the elements and forms of plane composition, and on the basis of inheriting the tradition, it opens a new way for innovation.
In the third chapter, the Xiaojun landscape painting in the plane elements of form and meaning. Firstly using the plane elements and form is a possible approach to contemporary landscape painting. The modern aesthetic needs based on many contemporary painters Chinese reference plane elements and forms for the creation of some of10qtls, some recessive. On this issue, should be established to China traditional culture position, actively absorb foreign culture, traditional culture and modern western art concepts together. Secondly illustrates the enlightenment elements and forms of the innovation of contemporary landscape painting by Bai Xiaojun and other graphic form. The painter works can be seen, using graphic elements and forms of creative thinking in contemporary landscape painting, and explain this form of contemporary China The positive significance and Enlightenment of landscape painting innovation.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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